This is the 205th Thevaram
Padal petra Shiva sthalam and 88th sthalam on the south side of Cauvery of Chozha
Nadu. Moovar has sung hymns in praise of Lord Shiva of this temple. This temple
is within the Thiruvarur Thiyagarajar temple complex also called as
Achaleswarar Temple.
In Periya puranam Sekkizhar records that Thirunavukkarasu Swamigal
came to this temple worshiping Lord Shiva of Thiruvarur.
நான்மறை நூல் பெருவாய்மை
நமிநந்தி அடிகள் திருத்தொண்டின் நன்மைப்பான்மை நிலையால் அவரைப்
பரமர் திரு விருத்தத்துள் வைத்துப் பாடித்தேன்மருவும் கொன்றையார் திருவாரூர் அரன்நெறியில் திகழும் தன்மைஆன திறமும் போற்றி
அணிவீதிப் பணி செய்து அங்கு அமரும் நாளில்
Thirunavukkarasu Swamigal and vallalar has sung in praise of Lord
Shiva of this temple. Vallalar has sung hymns combining Thiruvarur, Thiruvarur
Araneri and Thiruvarur Paravaiyunmandali.
எத்தீ புகினும் எமக்குஒரு
தீதுஇலைதெத்தே எனமுரன்று எம்முன்
உழிதர்வர்முத்தீ யனையதொர் மூவிலை வேல்பிடித்துஅத்தீ நிறத்தார் அரநெறி யாரே...... திருநாவுக்கரசு
சுவாமிகள் -தக்கநெடும் தேரூர் அணிவீதிச் சீரூர்
மணிமாட ஆரூரில் எங்கள் அரு மருந்தே
– நீரூர்ந்தகாரூர் பொழிலுங்
கனியீந்திளைப்பகற்றும் ஆரூர் அரனெறி வேளாண்மையே – ஏரார்ந்தமண்மண்டலிகர் மருவும்
ஆரூர்ப்பரவை யுன்மண்டலியெம் உடைமையே ..... திருஅருட்பாMoolavar : Sri Akileswarar, Sri AchaleswararConsort : Sri Vandar kuzhali, Sri Bhuvaneswari
Some of the salient
features of this temple are.....The temple is facing
west, on the left side immediately after the east side Rajagopuram. Rishabam, balipeedam
and Dwajasthambam are in front of the sanctum sanctorum. All the three are in straight line. Dwarapalakas
are at the entrance of sanctum sanctorum. In koshtam, Vinayagar,
Dakshinamurthy, Lingothbavar and Durgai. Sculptures are also in the other
koshtam.
Thirupallithamam ( Garland
making platform ) platform and a Shiva Linga are in the artha mandapam. There are Nayaka period murals
painted on the walls and ceilings of the
Artha mandapam. In that, Maha Vishnu dances before Vinayaga to get back his
Chakrayutha is little clear. On the Ceiling
Sahasra lingas ( 1008 ) are painted in the form of square matrix.
A Platform for making garlands - Thiruypallithamam -திருபள்ளித்தாமம்
ARCHITECTUREThe Temple consists of
Sanctum sanctorum, antarala and ardha mandapa. A three tire Vimana is over the sanctum.
The adhisthana is of padapanda adhisthana. A typical Chozha style temple with
sculptures in the aharai also. The temple was constructed on a raised level of
about 4 feet from the ground level.
HISTORY AND INSCRIPTIONSSince thirunavukkarasu Swamigal has sung in praise of Lord Shiva of
this temple, the temple might be existed during 6th to 7th
Century. Further extended during Chozha period.
The inscriptions recorded from this temple belongs
to Chozha Kings Rajaraja Chozha-I, Rajakesarivarman, Madurai konda rajakesari
Varman and Vijayanagara King Veerabhupathi Udayar. As per the inscriptions Lord
Shiva was called as “Thiruvaraneri Alwar”, Thiru Araneri Padarakar and thiru
Araneri Udayar.
The Rajarajan-I’s period inscription on the
adhisthana records that this temple was reconstructed as a Stone Temple by
Sembiyan Mahadevi. The inscriptions also records that Sembiyan Mahadevi had
given gift of lands for Naivedyam and Poojas, Silver vessels, Kalasa pots and
234 kasus.
Rajarajan-I’s 7th
reign year inscription records, the endowment of 234 Kasu equivalent to 200
Kalanju as Pudukkupuram ( capital funds for renovation ) of the sharing for God
Amarasundaradeva and goddess Uma Bhattaraki whose images were setup by
Udayapiratiya Sembiyan Mahadeviyar, in the temple if Thiruaraneri alwar at
Thiruvarur raised in stone by her. Provision was also made from these funds for
worship and other offerings for the deities. The sabha of Adiyappiya-
Chathurvedi mangalam undertook to be incharge of the endowment. Sembian
–Nattukkonar was the srikariyam officer.
Kovi Rajakesari
Varmar Rajaraja Chozha-I’s 20th year & 27th day
reign inscription records the endowment
of burning 2 perpetual lamps with one uri oil/ day by Guru kalan
Thirumoolattana thondar had gifted 3 veli land situated at Melmangalam / (
Menmangalam ).
Rajathi Rajan-I’s 27th reign year
inscription records the endowment of daily worship for which land at Deepangudi
by Anukkiyar Paravai Nangaiyar.
The Vinayagar temple abutting east Rajagopuram was
constructed latter using the stones of like Sanctum Sanctorum adhisthanam,
Uthiram, which are belongs to the original Araneri Temple. In that there is an
inscription. The inscription details
are...
Aditha Chozha-I’s 13th reign year ( 884
CE ) inscription records the endowment of burning a perpetual lamp by
Naranakutty for this Araneripadarar. This inscription recorded in 1979 CE is
believed to be the oldest amongst the inscriptions recorded from Thiruvarur
Temple. Sembiyan Mahadevi, had made the arrangement for re inscribing, the old
inscriptions belongs to earlier Chozhas like Aditha Chozha and Parantaka
Chozha. ( Thanks to Kudavayil Balasubramanian’s article published in Vikatan ).
Madurai
konda Rajakesarivarman’s 32nd reign year inscription records the
endowment of burning a perpetual Lamp for which gold was gifted to this temple.
Based on the style of inscription this may be a re inscribed one at a latter
date.
The Parantaka Chozha-I,
32nd reign year ( 939 CE) inscription records that an undertaking
given by the sabha of Pandanainallur, a brahmadeya in Thiruvarur Kootram, to
provide oil for a Perpetual lamp for god Thiru Arur Araneri Mahadeva Bhattaraka,
out of the interest from 30 Kalanju endowed
for this purpose by Srikoil Devanar….
Rajendran or Vikrama
Chozha 6th reign year inscription records an endowment of 30 Kalanju
gold left with Nagarattar of Thiruvarur by Devan Arubattunalvan for burning
perpetual lamp before god Thiruvarur araneri Mahadeva Bhattaraka with the daily
supply of an ulakku ghee measured in Thiruneelakandan. The person on whose
behalf the gift was made seems to have been known as Kalavan Porundampondai
Thirumulattananat thondar probably implying that he was a spiritual teacher of
the donor. The inscription seems to be of late.
Nayaka period
Maha Mandaleswarar Vira Bhupathi Udayar 1429 CE inscription records the Royal Taxfree for the merchants ( Vanikar ).
LEGENDSNaminandhi Adigal, who
belongs to Emapur near Thiruvarur worshiped Lord Shiva of this temple daily.
During his time Jainism was in the peak. One day after dusk, when he came to
the temple and found that there is no oil / ghee in the lamps and may
extinguish at any time. He thought it will take time to go and get it from his
house, So he approached for oil from some of the houses who belong to Jains
community and he was mocked by them. They further told him that, while Lord
Shiva is dancing with a flame in his hands, why do you require a light ..? and asked
him to light with water. When he prayed to Lord Shiva, he instructed through a
divine voice to pour the water, taken from the temple tank. So Naminandhi
Adigal poured Sangu theertha Tank water, in the lamp and it started burning
more brighter than before. He lit all the lamps with water and the temple was
lit like Sun light. On hearing this miracle, the Chozha King honoured him and
conducted many functions in this temple. This legend was mentioned by
Thirunavukkarasu Swamigal in his hymns on Thiruvarur Temple.
ஆராய்ந்து அடித்தொண்டர்
ஆணிப்பொன் ஆரருர் அகத்தடக்கிப்பாரூர் பரிப்பந்தம்
பங்குனி உத்திரம் பாற்படுத்தான்நாரூர் நறுமலர் நாதன்
அடித்தொண்டன் நம்பிநந்திநீரால் திருவிளக்கு இட்டமை நீள்நாடு அறியுமன்றே
The same was also recorded
by Sekkizhar in his Periyapuranam under Naminandhi Adigal Puranam...
சோதி விளக்கு ஒன்று
ஏற்றுதலும் சுடர்விட்டு எழுந்தது அது நோக்கிஆதி முதல்வர் அரநெறியார் கோவில் அடைய விளக்கு ஏற்றிஏதம் நிறைந்த அருகந்தர்
எதிரே முதிரும் களிப்பினுடன்நாதர் அருளால் திருவிளக்கு
நீரால் எரித்தார் நாடு அறிய
It is believed that Seruthunai
Nayanar, Kalarsinga Nayanar with his wife, Naminandhi Adigal, Thirunavukkarasu Swamigal,
Thirugnanasambandar, Sundarar with Paravai Nachiyar and Cheraman Peruman worshiped
Lord Shiva of this temple.
Thirunavukkarasu Swamigal and vallalar has sung in praise of Lord
Shiva of this temple. Vallalar has sung hymns combining Thiruvarur, Thiruvarur
Araneri and Thiruvarur Paravaiyunmandali.
-தக்கநெடும்
யுன்மண்டலியெம் உடைமையே
A Platform for making garlands - Thiruypallithamam -திருபள்ளித்தாமம்
The same was also recorded
by Sekkizhar in his Periyapuranam under Naminandhi Adigal Puranam...
நாதர் அருளால் திருவிளக்கு
நீரால் எரித்தார் நாடு அறிய
No comments:
Post a Comment