Sri Krupakupareswarar Temple/ ஸ்ரீ கிருபாகூபாரேஸ்வரர் கோயில் / Sri Krupakubeswarar Temple, Komal, Mayiladuthurai District, Tamil Nadu.

The visit to Sri Krupakupareswarar Temple at Komal was a part of the “Thirukadaiyur, Akkur and Therazhundur, Padal Petra Sthalangal visit”, on 22^nd October 2026. The village Komal is on the banks of the Veeracholan River, and the same was called Kopuri in ancient times.

Moolavar  : Sri Krupakupareswarar/ Sri Krupakupeswarar

Consort    : Sri Annapoorani

Some of the salient features of this temple are…

The temple faces east with a mottai gopuram. Sri Vidhya Vinayagar is on the left side of the entrance to the mottai gopuram. Vinayagar, balipeedam, and Rishabam are after the mottai gopuram. Moolavar is Swayambhu on a round avudaiyar. In the koshtam, Vinayagar, Dakshinamurthy, Lingothbavar, Brahma, and Durgai. Natarajar is in the ardha mandapam.

In the praharam, Maha Vishnu, Vinayagar, Sri Rama, Sita, Lakshmana with Anjaneyar (Stucco images are on the top of the Sannidhi), Sri Valli Devasena Subramaniar, Chandikeswarar (Stucco image of Chandikeswarar with Shiva is on the top of the sannidhi), Gajalakshmi, a Shiva Lingam with Rishabam under a bilva tree, Sri Viswanathar with Visalakshi, Navagrahas, Bairavar, Suryan, and Saniswarar.

Ambal is in a separate Sannidhi in the ardha mandapam that faces south. Ambal is in a standing posture with Abhaya Varada hastam. A stucco image of Ambal is on top of the south side entrance.

ARCHITECTURE

The temple consists of sanctum sanctorum, antarala, ardha mandapam, and maha mandapam. The temple was built with stone from adhistanam to prastaram. The sanctum sanctorum is on a prati bandha adhistanam with jagathy, vrudha kumudam, and prativari (The floor level was raised, and only 50 % of the Kumudam is visible). The bhitti starts with vedikai. The pilasters are Brahma kantha pilasters with vettu pothyal. The prastaram consists of valapi with madhalai, and kapotam with nasi kudus. The vimanam over the bhumi desam is of eka tala with greevam and vesara sigaram, built with bricks. Stucco images of Shiva, Dakshinamurthy, Maha Vishnu and Brahma are in the greeva koshtams.

The ardha mandapam and maha mandapam are constructed in vavvaal-nethi style during the Maratha period.

HISTORY AND INSCRIPTIONS

The temple may belong to the 11^th to 12^th century Chozha period. Received contributions from the Pandyas and Marathas. The mandapams were built, and renovations were carried out during the Maratha period.

As per the inscriptions, this place, Komal, was in Jayangonda Chola Valanadu. The inscriptions belong to Chozha kings, like Kulothunga Chozha, and Pandya kings like Jatavarman Sundara Pandyan (1277–1294 CE), Maravarman Vikrama Pandya (1281–1289 CE), Srivallabhadeva (1308–1344 CE), etc.

Maha Kumbhabhishekam was conducted on 25^th March 2024.

LEGENDS

As per the legend, Ma Parvati wants to know how Shiva made this universe to function. When she asked Shiva, Shiva made her close his eyes playfully. Due to this, the universe came to a standstill. Ma Parvati begged Shiva to pardon her. Angered, Shiva told her that he would mingle with the Hasthavarna Jyothi and asked her to become a Cow and find the Hasthavarna Jyothi. Ma Parvati took the form of a cow and searched for the Hasthavarna Jyothi. Shiva gave darshan in the form of Hasthavarna Jyothi on a Hastha Nakshatra day. The Hasthavarna Jyothi is also called “Komaliya Jyothi”.  Hence, Shiva gave darshan to Ma Parvati with mercy / Krupa) Shiva is called Krupakupareswarar.

It is believed that Siddhars and Sages worship Shiva on Hastha Nakshatra day, circumambulating in Anjali hastam. Hence, this is a “Hasta Nakshatra Temple”. Devotees pray to Shiva and Annapoorani for marriages, to excel in studies, Dance, Music, etc. As a pariharam, devotees offer Kolukkattai, Vada, Laddu, etc to Shiva and Ambal after circumambulating the praharam in Anjali hastam.

POOJAS AND CELEBRATIONS

Apart from regular poojas, special poojas are conducted on pradosham, Maha Shivaratri days, Markazhi Thiruvathirai, Vinayagar Chaturthi, Thirukarthigai, etc.  

Parihara poojas are done on Hastha nakshatra day.

TEMPLE TIMINGS

The temple will open from 07.00 hrs to 12.00 hrs and from 17.00 hrs to 19.30 hrs.

CONTACT DETAILS

The mobile numbers +919500284866 and +919994237866 may be contacted for further details.

HOW TO REACH

The village Komal is on the Therizhandur to Komal Road, 4 km from Therizhandur (one of the Paadal Petra sthalam and a Divya Desam), 15 km from Mayiladuthurai, and 28.4 km from Kumbakonam.

The nearest railway station is Narasingampettai, and the junction is Mayiladuthurai.

LOCATION OF THE TEMPLE: CLICK HERE

--- OM SHIVAYA NAMA ---

Arikamedu Excavation Site/ அரிக்கமேடு அகழாய்வு தளம், Puducherry.

The place known as Virampattinam may be identified with the place name Virai mentioned in the ancient Tamil Sangam literature, Ahananuru. The place known as Virampattinam may be identified with the place name Virai mentioned in the ancient Tamil Sangam literature, Ahananuru. The site has been identified with the place name Poduke cited in the Periplus of the Erythraean Sea of the 1st Century CE and the Poduke emporium mentioned by Ptolemy (circa 150 CE).

The historical importance of this site was brought to light to the scholarly world by the French astronomer Le Gentil during his visit to Puducherry between 1768 and 1771. Based on the surface finds of Roman origin, systematic excavations initiated by Mortimer Wheeler in 1945, followed by Casal between 1947-50 and Vimala Begley from 1989 to 1992, led to many significant archaeological findings at Arikamedu. Wheeler divided the site into Northern and Southern sectors and brought to light a number of brick-built structural remains identified as a warehouse and a dyeing vat. The southern sector was subsequently excavated by Casal, revealing similar finds as well as Iron Age-level remains.

Good numbers of imported and local potteries were found during excavation. Some of the important varieties were Roulette ware, Arretine ware and amphorae, and excavation revealed hundreds of beads of glass, shell, bone and gold and semi-precious stones. The southern sector revealed two tanks that may have been used as dyeing vats along with other structures. Finds of fragmentary amphorae and Arretine ware in stratified contexts led Wheeler to identify the site as an Indo-Roman trading station, which he believed was founded during the time of Augustus and lasted for about two centuries.

From the year 1989 to 1992, Vimala Begley, as part of a project of the University Museum, University of Pennsylvania, and K. V. Raman of the Department of Ancient History and Archaeology, University of Madras, excavated the site to reassess the findings of the earlier excavations. The excavation at the northern sector two brick structures, which were identified as a tank, was excavated. Many Indian and imported potteries were noticed during excavation. There are a few sherds with graffiti also, and there was one sherds with Tamil Brahmi reading “Valava”. The occurrence of the terra sigilatta ware, pieces of double-handled amphorae, and the existence of the tanks beside other antiquities suggest not only the promising extension of the port area but also the existence of the industrial site.

Further structural remains noticed in the southern sector, including a tank with drainage and floors and walls in different spaces, help to show how the space was utilised all along the river. This excavation helps to reassess Wheeler’s and Casal’s excavations, and material culture suggests that the date of the founding of Arikamedu should be pushed back to the middle of the third century BCE, while its first trade contacts with the Mediterranean world may have been established by the late second century BCE. The Arretine ware phase can be dated more precisely to the first quarter of the first century CE. (Instead of the second quarter, as Wheeler had suggested) Amphorae occur in substantially earlier levels and Rouletted Ware in earlier levels still. The excavated structures are closed after proper documentation.

ARIKAMEDU RECONSIDERED

Reconsidered here are the chronology and significance of the important South Indian coastal site of Arikamedu, which was excavated by Sir Mortimer Wheeler in 1945 and Jean-Marie Casal in 1947-1950. Finds of fragmentary amphorae and Arretine ware in stratified contexts led Wheeler to identify the site as an Indo-Roman trading station, which he believed was founded during the time of Augustus and lasted for about two centuries. Even though subsequent investigations revealed conflicting evidence, Wheeler's basic interpretation has gone unchallenged until now; as a result, it has become increasingly difficult to formulate a coherent picture of South Indian cultural sequences during the Early Historical period.

Reassessment of Wheeler's and Casal's material suggests that the date of the founding of Arikamedu should be pushed back to the middle of the third century B. C., while its first trade contacts with the Mediterranean world may have been established by the late second century B. C. The Arretine ware phase can now be dated more precisely to the first quarter of the first century CE (instead of the second quarter, as Wheeler had suggested); amphorae occur in substantially earlier levels, and Rouletted Ware in earlier levels still. Although the Arikamedu Rouletted Ware was probably manufactured locally, the technique of "rouletting" must have been introduced from the West, probably sometime in the second century B. C. Since Arikamedu thus seems to have functioned as a maritime trading center long before the time of Augustus, a new perspective emerges upon the question of South Indian trade with the Mediterranean area.

FURTHER EXCAVATIONS AND FINDINGS

Unlike many other historical sites in the Indian subcontinent, Arikamedu was excavated for six seasons between 1941 and 1950, and a fresh round of excavations was undertaken between 1989 and 1992.

The Periplus Maris Erythraei refers to the site as Poduke, and this name is said to derive from the Tamil term Puduceri, meaning a new settlement. What were the reasons for the origin of this new settlement at Arikamedu, since the site lies in a region of extensive megalithic occupation? Archaeological exploration in the South Arcot district has revealed 175 archaeological sites, of which 143 are megalithic, including 100 burials (Rajan 1997: 275). It is significant that in the Tamil coastal plains, Arikamedu was the largest megalithic site with an expanse of 8.4 hectares and an estimated population of at least 1,600 (Moorti 1994: table 2.6, Appendix A).

In addition to a diversity of burial types, the region provided evidence for a 3.25-metre standing anthropomorphic figure of well-dressed stone located within three concentric stone circles at Mottur in Chengam taluk. In the upland parts of South Arcot district, rock shelters with paintings in both red and white pigment were found, generally associated with megalithic burials and habitation mounds (Rajan 1997: 280, 286). The absence of a cultural deposit from these shelters makes it difficult to date them. It is nevertheless evident that, rather than external stimuli such as 'Indo-Roman trade', the shift to the 'new' settlement at Poduke should be seen within the local and regional context of interaction between megalithic sites.

REASSESMENT AND CONCLUSIONS

1. Earlier, it was thought that the settlement at Arikamedu was established in the 1st century BCE with the beginning of Indo-Roman trade. Recent excavations brought to light the fact that a fairly well-established settlement was already in place at the site before the advent of this trade.

2. The earlier excavations had identified the northern sector as a port area and the southern one as an industrial area specializing in bead and textile manufacture. However, it seems that activities were not so neatly divided. It also seems that some people-probably merchants and sailors-lived in both sectors.

3. More foreign pottery was found in the northernmost part of the settlement, so some foreigners may have lived here.

4. The tank-like structures in the southern sector do not appear to be connected with dyeing cloth at all. They may have been enclosures for storing food or other sorts of goods.

5. Earlier, it was thought that Indo-Roman trade ended in the 2nd century CE and that Arikamedu was abandoned thereafter. The recent excavations indicate that although the trade did decline, it did not come to an end. Some amount of trade seems to have continued till the 7th century.

6. Coins of the Chola kings, medieval clay lamps, and remains of still later periods indicate that Arikamedu was occupied with some breaks-till modern times. East Asian pottery at the site suggests a re-orientation of trade networks.

Other questions to which there are yet no definite answers include: What did the Roman amphorae jars hold? Was it wine, sauce, or olive oil? Who were the consumers of the merchandise-foreign traders, wealthy Indians, or both? Did traders from the Roman Empire actually live at Arikamedu in large numbers? The textual and archaeological evidence was initially understood as indicating the existence of Roman settlements in South India. Recent studies have questioned this. The amphorae may have contained wine for local elites rather than for Roman traders living at Indian sites. And it is also clear that the Indo-Roman

ARCHAEOLOGICAL SURVEY OF INDIA

Based on its archaeological importance, Arikamedu was declared a centrally protected monument by the Govt. of India in the year 1982. 

LOCATION OF ARIKAMEDU EXCAVATIONS: CLICK HERE

--- OM SHIVAYA NAMA ---

Puducherry Museum/ புதுச்சேரி மியூசியம், Puducherry.

The Pondicherry Museum, locally referred to as the “Pondy Museum”, is located close to Bharathi Park in Pondicherry. It exhibits a wide range of artifacts and narrates the story of the city’s rich cultural heritage. The museum is well known among history buffs and travellers looking to explore Pondicherry.

Artifacts like stones, jewellery, coins, and statues excavated from the Arikamedu heritage site are displayed at the museum. These depict Pondicherry’s importance as a trade port from the 1st Century BCE to the 2nd Century CE. It was a famous maritime center during that period, serving traders from Rome, the Cholas, and the French. The relics from those times have been excavated by the Archaeological Survey of India at Arikamedu. The Megalith period mud burial urns, pots, pot sherds, dols, etc., were unearthed during the excavation conducted in recent years.

 From Arikamedu

 From Arikamedu

 From Arikamedu

 From Arikamedu

The museum also displays bronze statues and stone sculptures depicting the vibrant life of the Pallava and Chola dynasties. We may also witness remnants of the French colonial rule in the city. It is known for relics in the form of furniture and other items of the Church. Pondicherry Museum gives us a chance to marvel at the diversity of the history of Pondicherry and understand its influence on the city’s culture.

Architecture of Pondicherry Museum

The Pondicherry Museum has magnificent architecture. Located in the White Town Area on St. Louis Street, it was established in a former Law Building. The building was constructed in 1788 and was later converted into what we see as the Pondicherry Museum today. It has colonial architecture with an attractive facade and inscriptions in French. The two-storeyed building is painted in yellow and peach. It has large stone statues and fossilized tree trunks displayed in the foyer and courtyard.

History of Pondicherry Museum

The Pondicherry Museum was established in 1983. It exhibits the archaeological findings and cultural evidence of the region. The museum has a collection of over 6500 exhibits that date back to the prehistoric era. It was promoted as a center of knowledge and exploration of the history of the city.

Exhibits displayed at the Pondy Museum can be broadly divided into three eras: the early period from the 1st century to the 4th century, the rule of the Pallavas and Cholas, and the European era during which it was under French colonial rule.

The following galleries/sections are set up in the museum on three floors.

Sculptures (Courtyard- North and South)

This section is at the entrance of the Museum, and photography is allowed in this section. A few specimens of Pallava and Chola sculptures were displayed in and around the ‘Place de Gouvernement’ since the French days. Those which were on display in the ‘Palais du Gouvernement’ have recently been installed in the front courtyard.

 Kotravai

 Chandikeswarar - Dakshinamurthy

Dakshinamurthy - Lingothbavar

Buddha

Buddha

 Bairavar - A sandstone amman of the Saptamatrikas group

The French India Gallery (One)

All five different segments, comprising four different aspects of Office Rooms (cabinet de travail) and the numismatic section (in the middle) displayed in the Central Hall, reflect a taste for tradition and refinement. Also on display in the ‘cabinet de travail’ is a replica of a chair used by Governor Dupleix (1742-1754).

In a segment of this gallery is displayed a hand-operated Gutenberg-type printing machine, the oldest legacy retrieved from the ‘Imprimerie du Gouvernement’. Also on display are specimens of books and journals printed in the course of the XIX and XX centuries. An issue of ‘Vijaya’, the first daily edited by Poet Subramania Bharathi, is also on display there.

The Archaeology Section

This gallery is made up of two different segments, one displaying artifacts associated with the Megalithic and Neolithic periods and the other displaying artifacts associated with the historic period.

The Bronze Gallery

Exquisite pieces of divine images, mostly found as treasure troves, adorn the bronze gallery. The Panchaloga images of the Dancing Siva (Nataraja), Umamaheswara, Thiripurantaka & Thiripurasundari in the graceful tribhanga posture from Sorakkudi. There are bronze specimens from the Vijayanagar and Nayaka periods. Also on display are Pooja utensils, sara vilakku, kuthu villaku, addukku deepam, etc. A few hanging lamps of a later period adorn the galleries.

Display of Vehicles (Southern Courtyard)

A bullock drawn coach used by the progenies of the more famous Dewan Kanakaraya Mudaliar, who helped the French to establish their settlement in Puducherry early in 1674; a unique type of vehicle known as "pousse-pousse" with a mechanical steering operated by the passenger, but pushed from behind and pulled by rope in front, very much liked by Poet Bharathi an ornamental palanquin provided with a chair-like seat used by Divan Nidarajappayyar sometime during the last quarter of the XVIII century (donated) are also on display here.

French India Gallery (Two) Comprising

a) The Drawing Chamber/Salon (Central Hall)

b) The Dining Chamber/Salle à manger

c) The Bed Chamber/ Chambre a coucher

provide a ‘coup d’’oeil of a typical household with furniture carrying features of ‘French style’ as well as the hybrid ‘Franco Indian Style’ in vogue in France as well as French India during the XVII and XIX centuries.

Also on display are pianos, lamps, paintings, pictures and clocks besides fixtures and decorative pieces which embellished the homes in Puducherry. In the ‘Chambre à coucher’ one can find a cot believed to have been used by Dupleix (XVIII century)

The Arms Gallery

In this gallery are displayed different types of swords, lances, spears, muskets, guns, pistols, cannons, cannonballs, etc., that were used in Puducherry.

Also on display are a primitive type of bow and arrow, besides choppers, daggers, walking sticks with camouflaged weapons, iron and wooden gadgets, and a boomerang. The oldest piece on display is a rusted sword (fashioned like the Roman swords) retrieved recently from a burial urn in Ousoudou village not far from Puducherry.

Gallery of Art and Crafts (Western Wing)

Displayed in two adjacent halls are a variety of handmade items and artifacts crafted by artisans in France and Puducherry.

The Geological Section (Southern Colonnade)

Specimens of sands, shells, peat, pebbles, limestones and clays which form the principal mineral resources of Puducherry are displayed here. Other minerals displayed here include heavy sand and lignite. Beach sands containing layers of limonite, granite and magnetite concentrations found along the Karaikal coast are also on view.

Also displayed are specimens of rocks and minerals of the States of Tamil Nadu, Kerala, Andhra Pradesh, Karnataka, Bihar, Madhya Pradesh, Orissa, Rajasthan, Uttar Pradesh, besides Jammu and Kashmir.

LOCATION OF THE PUDUCHERRY MUSEUM: CLICK HERE

--- OM SHIVAYA NAMA ---