Tuesday, 3 November 2026

Puducherry Museum/ புதுச்சேரி மியூசியம், Puducherry.

The Pondicherry Museum, locally referred to as the “Pondy Museum”, is located close to Bharathi Park in Pondicherry. It exhibits a wide range of artifacts and narrates the story of the city’s rich cultural heritage. The museum is well known among history buffs and travellers looking to explore Pondicherry.


Artifacts like stones, jewellery, coins, and statues excavated from the Arikamedu heritage site are displayed at the museum. These depict Pondicherry’s importance as a trade port from the 1st Century BCE to the 2nd Century CE. It was a famous maritime center during that period, serving traders from Rome, the Cholas, and the French. The relics from those times have been excavated by the Archaeological Survey of India at Arikamedu. The Megalith period mud burial urns, pots, pot sherds, dols, etc., were unearthed during the excavation conducted in recent years.

 From Arikamedu
 From Arikamedu
 From Arikamedu
 From Arikamedu

The museum also displays bronze statues and stone sculptures depicting the vibrant life of the Pallava and Chola dynasties. We may also witness remnants of the French colonial rule in the city. It is known for relics in the form of furniture and other items of the Church. Pondicherry Museum gives us a chance to marvel at the diversity of the history of Pondicherry and understand its influence on the city’s culture.

Architecture of Pondicherry Museum
The Pondicherry Museum has magnificent architecture. Located in the White Town Area on St. Louis Street, it was established in a former Law Building. The building was constructed in 1788 and was later converted into what we see as the Pondicherry Museum today. It has colonial architecture with an attractive facade and inscriptions in French. The two-storeyed building is painted in yellow and peach. It has large stone statues and fossilized tree trunks displayed in the foyer and courtyard.

History of Pondicherry Museum
The Pondicherry Museum was established in 1983. It exhibits the archaeological findings and cultural evidence of the region. The museum has a collection of over 6500 exhibits that date back to the prehistoric era. It was promoted as a center of knowledge and exploration of the history of the city.

Exhibits displayed at the Pondy Museum can be broadly divided into three eras: the early period from the 1st century to the 4th century, the rule of the Pallavas and Cholas, and the European era during which it was under French colonial rule.

The following galleries/sections are set up in the museum on three floors.
Sculptures (Courtyard- North and South)
This section is at the entrance of the Museum, and photography is allowed in this section. A few specimens of Pallava and Chola sculptures were displayed in and around the ‘Place de Gouvernement’ since the French days. Those which were on display in the ‘Palais du Gouvernement’ have recently been installed in the front courtyard.

 Kotravai

 Chandikeswarar - Dakshinamurthy
Dakshinamurthy - Lingothbavar

Buddha
Buddha





 Bairavar - A sandstone amman of the Saptamatrikas group



The French India Gallery (One)
All five different segments, comprising four different aspects of Office Rooms (cabinet de travail) and the numismatic section (in the middle) displayed in the Central Hall, reflect a taste for tradition and refinement. Also on display in the ‘cabinet de travail’ is a replica of a chair used by Governor Dupleix (1742-1754).

In a segment of this gallery is displayed a hand-operated Gutenberg-type printing machine, the oldest legacy retrieved from the ‘Imprimerie du Gouvernement’. Also on display are specimens of books and journals printed in the course of the XIX and XX centuries. An issue of ‘Vijaya’, the first daily edited by Poet Subramania Bharathi, is also on display there.

The Archaeology Section
This gallery is made up of two different segments, one displaying artifacts associated with the Megalithic and Neolithic periods and the other displaying artifacts associated with the historic period.

The Bronze Gallery
Exquisite pieces of divine images, mostly found as treasure troves, adorn the bronze gallery. The Panchaloga images of the Dancing Siva (Nataraja), Umamaheswara, Thiripurantaka & Thiripurasundari in the graceful tribhanga posture from Sorakkudi. There are bronze specimens from the Vijayanagar and Nayaka periods. Also on display are Pooja utensils, sara vilakku, kuthu villaku, addukku deepam, etc. A few hanging lamps of a later period adorn the galleries.



Display of Vehicles (Southern Courtyard)
A bullock drawn coach used by the progenies of the more famous Dewan Kanakaraya Mudaliar, who helped the French to establish their settlement in Puducherry early in 1674; a unique type of vehicle known as "pousse-pousse" with a mechanical steering operated by the passenger, but pushed from behind and pulled by rope in front, very much liked by Poet Bharathi an ornamental palanquin provided with a chair-like seat used by Divan Nidarajappayyar sometime during the last quarter of the XVIII century (donated) are also on display here.


French India Gallery (Two) Comprising
a) The Drawing Chamber/Salon (Central Hall)
b) The Dining Chamber/Salle à manger
c) The Bed Chamber/ Chambre a coucher
provide a ‘coup d’’oeil of a typical household with furniture carrying features of ‘French style’ as well as the hybrid ‘Franco Indian Style’ in vogue in France as well as French India during the XVII and XIX centuries.

Also on display are pianos, lamps, paintings, pictures and clocks besides fixtures and decorative pieces which embellished the homes in Puducherry. In the ‘Chambre à coucher’ one can find a cot believed to have been used by Dupleix (XVIII century)

The Arms Gallery
In this gallery are displayed different types of swords, lances, spears, muskets, guns, pistols, cannons, cannonballs, etc., that were used in Puducherry.

Also on display are a primitive type of bow and arrow, besides choppers, daggers, walking sticks with camouflaged weapons, iron and wooden gadgets, and a boomerang. The oldest piece on display is a rusted sword (fashioned like the Roman swords) retrieved recently from a burial urn in Ousoudou village not far from Puducherry.

Gallery of Art and Crafts (Western Wing)
Displayed in two adjacent halls are a variety of handmade items and artifacts crafted by artisans in France and Puducherry.

The Geological Section (Southern Colonnade)
Specimens of sands, shells, peat, pebbles, limestones and clays which form the principal mineral resources of Puducherry are displayed here. Other minerals displayed here include heavy sand and lignite. Beach sands containing layers of limonite, granite and magnetite concentrations found along the Karaikal coast are also on view.

Also displayed are specimens of rocks and minerals of the States of Tamil Nadu, Kerala, Andhra Pradesh, Karnataka, Bihar, Madhya Pradesh, Orissa, Rajasthan, Uttar Pradesh, besides Jammu and Kashmir.


LOCATION OF THE PUDUCHERRY MUSEUM: CLICK HERE




--- OM SHIVAYA NAMA ---

Monday, 2 November 2026

Sri Picheesvarar Temple/ ஸ்ரீ பிச்சீஸ்வர் கோயில், Mamandur/ Mamandur Thenpathi Gramam, Chengalpattu District, Tamil Nadu.

Sri Picheeswarar Temple at Mamandur Thenpathi was part of the “Gajaprishta Vimana Temples Visit” on 10th October 2026. This place, Mamandur, is on the banks of the River Palar and comprises two small villages called Thenpathi and Vadapathi. This Sri Picheeswarar Temple is in the midst of the paddy fields in the village of Mamandur Thenpathi.


Moolavar  : Sri Picheesvarar
Consort    : Sri Nagavalli Amman

Some of the salient features of this temple are….
The temple faces east with an entrance arch, and the temple tank is on the left side of the temple. Stucco images of Vinayagar, Shiva and Parvati as Rishabaroodar, and Vinayagar are on the top of the entrance arch. A Vinayagar Sannidhi is on the left side of the entrance arch. Balipeedam and Rishabam are after the entrance arch. Moolavar is on a round avudaiyar. In the koshtam: Vinayagar, Dakshinamurthy, Maha Vishnu, Brahma, and Durgai.

In the praharam: Nalvar, Vinayagar, Sri Valli Devasena Subramaniar, two Shiva Lingas and a Rishabam, Chandikeswarar, Bairavar, Navagrahas, Vinayagar with Nagars, Chandran, and Suryan.

Ambal Sri Nagavalli is in a separate Sannidhi that faces south. Ambal is in a standing posture with Abhaya Varada hastam.








ARCHITECTURE
The temple was constructed as a Gajaprishta Vimanam with bricks and cement concrete on a stone pedestal. The sanctum sanctorum is on a pada bandha adhistan with Jagathy, vrudha kumudam, and a pattikai. The bhitti starts with pattikai. The pilasters are Brahma kantha pilasters with kalasm, kudam, and vettu pothyal. The prastram consists of valapi and kapotam. An eka tala Gajaprishta sigaram with three kalasams is over the bhumi desam. Dakshinamurthy, Maha Vishnu, and Brahma are in the greeva koshtams.








HISTORY AND INSCRIPTIONS
It is believed that the original temple with Gajaprishta Vimanam belongs to the Pallava period, built with bricks and later received contributions from the Cholas and Vijayanagaras.

Ashta bandhana maha kumbhabhishekam was conducted on 07th September 2005 and 1st February 2013. 

The temple is under the control of the Tamil Nadu HR & CE Department, under the Oru Kala Pooja scheme.



LEGENDS
It is believed that Sage Mandooga Maharishi did penance to Shiva and worshipped him. Hence, this place obtained the name of Mamandur.

Saraswati worshipped Shiva with Pichi poo (a kind of jasmine flower) to get his darshan. Hence Shiva is called Sri Picheeswarar.

As per another legend, during one of the Girivalam, Sathguru Venkatrama Swamigal pointed out two frogs worshipping Shiva, standing on their back legs. They came all the way to Thiruvannamalai from Mamandur. (In Sanskrit, Mandooga/ Mandukha means Frogs).

In another legend, Saraswati worshipped Shiva of this temple, playing Veena/ Yazhl. Hence, it is believed that worshipping Shiva of this temple will get rid of mental challenges and help excel in studies.

POOJAS AND CELEBRATIONS
Apart from oru kala poojas, special poojas are conducted on pradosham, Maha Shivaratri, Amavasya days, etc.

TEMPLE TIMINGS
The temple will open from 07.00 hrs to 09.00 hrs and 17.00 hrs to 18.00 hrs.

CONTACT DETAILS
Gurukkal Karthik may be contacted on his mobile number +919894026983 for further details.

HOW TO REACH
The Mamandur Thenpathi is on the GST Road, just after Chengalpattu Palar Bridge, and the temple is 1 km from the GST Road.  
The temple is 11 km from Chengalpattu, 25 km from Madurantakam, and 40 km from Tambaram and Melmaruvathur.
The nearest Railway Station is Chengalpattu.  

LOCATION OF THE TEMPLE: CLICK HERE








--- OM SHIVAYA NAMA ---