Sunday, 8 February 2026

Mahadev Temple /Kadamba Shri Mahadeva Temple/कदंब श्री महादेव मंदिर, Tambdisurla / तांबडीसुर्ला, Sanguem, Surla, Goa.

This visit to the Mahadev Temple or Kadamba Shri Mahadeva Temple, Tambdisurla, Goa, was a part of the Goa Heritage walk to the temples and Heritage sites, organised by Aatrupadai, from 5th December 2025 to 7th December 2025. Thanks to திருச்சி பார்த்தி for organising the Heritage walk.


The temple is located in the Molem wildlife sanctuary on the left bank of a natural stream. Locally known as 'Vizar Sakalacho Whal' amidst lush green settings.

Moolavar: Shree Mahadev

Some of the salient features of this temple are…..
The temple is facing east and stands on a simple moulded plinth. A beheaded Rishabam is in front of the sanctum sanctorum. Moolavar Shiva Linga is on a round avudayar.

In the sabha mandapam, Vinayagar, Natarajar, and Maha Vishnu. 





ARCHITECTURE
It consists of Garbhagriha, an antarala, and a pillared mukha mandapa where a stone sculpture of Rishabam is at the mukha mandapa is accessible from three sides with balustrade entrances towards the east, north and south. The raw material used for the construction of the temple is chloritic schist, which is a soft stone on which intricate carvings are possible
 




The mukha mandapa is embellished with four carved lathe-turned pillars and Kakshasana on three sides and is externally decorated with rosettes. A relief scene of an elephant trampling a horse is carved on an eastern pillar, which is very prominent. The capitals of pillars are carved with the nagabandhas, and the ceiling is decorated with intricately carved lotus flowers of the ashtakon variety.


The perforated stone latticed screen with Devakostas decorates the entrance of the Garbhagriha, and the lathe-turned pillars of the mandapa suggest a strong influence of the Hoysala art.



The four Devakostas facing the east, south and north, having miniature decorated pillars on either side, resemble the pillars of mukha mandapa. The pinnacle is decorated with a miniature Kadamba shikhara.



The exterior wall of the Garbhagriha is simple and raised from the moulded adhistana, ridged by simple ardha sthambas. The two-tiered kadamba-nagra vimana was embellished with sculptures like Lakshmi-Narayan and Vishnu Janardhan, besides Gajalakshmi flanked by Ganesh and Saraswati on the northern side, and dancing Siva and Siva-Parvati on the western side, and Bhairava and Brahma on the southern side. The antarala and garbhagriha of the temple have a remarkable resemblance to the Kalleshwar temple at Balambid in Dharwad district and the Jain temple at Belgaum in Karnataka. All these temples have plain walls without niches, with a two-tiered Shikhara




HISTORY AND INSCRIPTIONS
The temple reflects the later Chalukyan and Hoysala architectural features and expresses synchronisation of faith revealed through the presence of Vaishnavite deities, although the temple is dedicated to Siva, thus imparting a unique place in the Goa Kadamba temple architecture and is datable to the 13th century CE.

Ref:
Archaeological Survey of India display board.

LOCATION OF THE MONUMENT: CLICK HERE


--- OM SHIVAYA NAMA--

Saturday, 7 February 2026

Hero Stones of Goa, Archaeological Museum of Goa/ आर्केओलॉजिकल म्युझियम ऑफ गोवा, Archaeological Survey of India /आर्केओलॉजिकल सर्व्हे ऑफ इंडिया, Old Goa, Goa.

This visit to the Hero Stones collection at the Archaeological Museum of Goa, Old Goa, was a part of the Goa Heritage walk to the temples and Heritage sites, organised by Aatrupadai, from 5th December 2025 to 7th December 2025. Thanks to திருச்சி பார்த்தி for organising the Heritage walk.


MEMORIAL STONE
Accession No:                  Material: Basalt Rock
Period: 12th, century       Dimension: 0.86 × 0.38 × 0.11 meter
Provenance: Malcornem village, Salcete taluka, South Goa district

This finely carved memorial stone commemorating the death of a hero in a naval battle is depicted in two panels between decorated pilasters. The lower panel depicts the hero rising from the ground or water and charging the enemy on a vessel with a dagger, and the latter is charging the former with a spear. The ship has wheels, which is a unique feature. Below the ship, a standing man is holding a gong. The upper panel depicts the hero's enthronement in heaven, flanked by a mob of apsaras, two of whom are holding a parasol over his head, and two flanking apsaras on either side of him with chamaras. Sun and Moon are shown on the top of the Stone

தெற்கு கோவா மாவட்டம், சால்செட் தாலுக்காவில் உள்ள மோல்கோர்னெம் கிராமத்தில் இந்நடுகல் கண்டுபிடிக்கப்பட்டது. கடற்படைப் போரில் ஒரு வீரனின் மரணத்தை நினைவுகூரும் இந்த நேர்த்தியாக செதுக்கப்பட்ட நினைவுக் கல், கோயிலைப் போன்று மண்டபம் மற்றும் அதனைத்தாங்கும் இரு உருளைத் தூண்களுடன், இரண்டு அடுக்குகளாக சித்தரிக்கப்பட்டுள்ளது. கீழ் அடுக்கில், வீரன் தரையிலிருந்து அல்லது தண்ணீரிலிருந்து எழுந்து எதிரியை இடது கையில் உள்ள கட்டாரியால் எதிரியினைத் தாக்குவது போலவும், வலது கையினால் மற்றொரு ஆயுதத்தினை(?) தாங்கியிருப்பது போலவும் சித்தரிக்கப்பட்டுள்ளது. வீரன் அரைக்கச்சுடன், கழுத்து, கை மற்றும் காதுகளில் ஆபரணம் அணிந்து காணப்படுகின்றான். இடதுகையில் ஆயுதம் காட்டப்பட்டு இருப்பதால், இவ்வீரன் இடது கை பழக்கம் உள்ளவனாக கருதலாம். கப்பலின் கீழே ஒரு நிற்கும் மனிதன் பறை போன்ற வாத்தியத்தினை இசைப்பது போல காட்டப்பட்டு உள்ளான். மேல் அடுக்கில் உள்ள சிற்ப தொகுப்பு வீரன், சொர்க்கத்தில் அரியணையில் அமர்ந்து இருப்பதையும், அருகே அப்சரஸ்களின் கூட்டம் ஒன்றும் காட்டப்பட்டு உள்ளது. அவர்களில் இருவர் வீரனின் தலைக்கு மேல் இரண்டு குடைகளையும், வீரன் அருகில் இரண்டு அப்சரஸ்கள் சாமரங்களுடன் காட்டப்பட்டு உள்ளனர். சூரியனும் சந்திரனும் அதன் மேல் காட்டப்பட்டுள்ளன.


MEMORIAL STONE
The concept behind the Here Stone was that in the past, those who died in battles were considered to be the Heroes of Vira by their villagers and families, and then they were remembered forever in the form of memorial stones. They were paid tribute through these memorial stones, and hence, the worship of these hero stones began. This kind of worship was also called the cult of ancestors. There are groups of hero stones - one group belongs to the earliest phase, i.e., the period of the Goa Kadambas, the ruling dynasty from the 10th century C.E., the other group is of the reign of the Vijayanagara kings of Hampi, who ruled Goa from 14 to the 15th century CE. These stones in Goa are generally made in three panels. Sometimes inscription is also carved in between these panels in Sanskrit, Kannada, or Marathi. The lower panel generally depicts the cause of the hero's death. The Central panel depicts the dead being taken by the celestial damsels or apsaras to heaven. The upper panel shows the hero seated in heaven.

This one is a Viragall or hero stone from Molikarhem. The hero in the lowermost panel is easily recognized by his disproportionately large stature, attacking an enemy of a much smaller size. Both have beards, and they have combat weapons in their hands in the charging act. Two attendants in the upper right corner are shown in an attitude admiring the two combatants, the one on the left raises both his hands, while the other on the right puts his index and middle fingers into his mouth so as to whistle. Two vessels are carved above the combatants. The hero stands under a parasol within a structural frame on the deck of one of the vessels, and he is shooting an arrow towards a smaller in size man in the vessel opposite to him. In this, it is not clear whether the hero is represented twice in two combats. In the middle panel, he is sitting on a lion throne, about to leave this world. He is accompanied by his wife, who is seated on a smaller throne next to him on his left side. In the uppermost panel, he is enthroned in heaven on a decorated seat, and behind the apsaras or female attendants are depicted. Here, his wife is shown on the left side of a lower throne.


MEMORIAL STONE
Accession No: 208,          Material: Basalt Rock
Period: 11th, century       Dimension: 0.78x0.38x0.14 meter
Provenance: Velsao village, Salçete taluka, South Goa district

The memorial stone is in low relief with a depiction of the self-immolation of the hero by his decapitation. The lowermost panel plastically depicts the ritual of self-immolation; the hero is seated cross-legged on a throne with folded hands; although his head has already been cut off, and is shown in front of his throne, a person on his left is seen with a raised sword as if about to cut the head off. Two people to the hero's right side are playing drum and gong. The middle panel illustrates the hero being lifted to heaven by the apsaras. In the uppermost panel, the hero is seen in heaven worshipping a Shiva linga.


MEMORIAL STONE
Accession No: 30             Material: Basalt Rock
Period: 12", century         Dimension: G
Provenance: Cuncolim village, Salcete takuk

The memorial stone is depicted in three panels. The lowest panel depicts the heroic death of a person being slain by his enemy, two persons, and playing drum and gong, motivating the figures. The middle panel shows the dead hero being carried to heaven by celestial beings amidst the beating of a drum and a gong. The upper panel illustrates the victorious hero enthroned in heaven by apsaras.


SATI STONE
Accession No 57              Material: Basalt Rock
Period 12th Century          Dimension: 2.500.45x0.90 meter
Provenance Score vile Marmugae taluka, South Goa district

In this sculptured Sati stone, a male warrior holding a sword near Shivlinga is accompanied by a female figure wearing a long skirt. The total frame is composed under a folded arm, depleting Sat's raised right arm projecting from a pillar with its palm turned towards the onlooker in an attitude of blessing.


MEMORIAL STONE
Accession No: 215           Material: Basalt Rock
Period: 15th, century       Dimension: 0.92 x 0.63 x 0.18 meter
Provenance: Veluz village, Satari taluka, South Goa district

The inscribed and sculptured plaque, written in Marathi inscription depicting sun and the crescent moon on the upper portion. At the lower portion, a woman is depicted as taming a cow; behind her, a wild animal is stamping a woman lying on her back. The inscription records the gift of a village and mentions the names of persons - Pandusenuaiyya and Kalasavaka. It also shows the date saka 1324 Chitra.... Sr. Sud. 1. Friday 1402 July 1.


MEMORIAL STONE
Accession No: 216           Material: Basalt Rock
Period      15 century       Dimension: 0.46 x 0.65 x 0.12 meter
Provenance Véluz-village, Satari taluka, South Goa district

The sculptured plaque is written in Marathi inscription on three sides - horizontal lines on the upper and lower portions and vertical lines on the right side. The sun is depicted on the top right. In the center, a woman is depicted as tending a donkey; she holds a knot (rope?) in her left hand. The inscription is partly obliterated in the upper portion. The left and lower portions are broken.


MEMORIAL STONE
Accession No: 26             Material: Basalt Rock
Period:  12th century       Dimension: 0.93x0.27x0.16 meter

Provenance: Cuncolim village, Salcete taluka, South Goa district
The memorial stone is engraved in three panels punctuated by decorative crossbars with torana (beading) decoration. The lower panel depicts a large, statured hero being attacked by a small-sized enemy from a chariot. Two people are playing drum and gong in an attitude of admiring the fight. In the middle panel, the hero is represented as on his way to heaven, accompanied by musicians and a chamara bearer. In the uppermost panel, the hero seems to be worshipping a shivalinga in his heavenly abode, assisted by two celestial beings.


MEMORIAL STONE
Accession No: 27             Material: Basalt Rock
Period 12th Century        Dimension: 0.88 x 0.42 x 0.18 meter
Provenance: Concolinary,  Salcete taluka, South Goa district

Inscribed memorial stone sculpted in bold relief and flanked by replicas of slender pillars. The hero is represented as fighting against his enemies in two panels. In the lower panel, he is riding on a horseback, and in the middle panel, he is being slain by his enemies on the wall of a rampart, which is plastically positioned. The uppermost panel depicting the hero's usual seat in heaven is broken.


MEMORIAL STONE
Accession No: 234           Material: Basalt Rock
Period: 12", century         Dimension: 0.27 x 0.87 x 0.21 meter
Provenance: Pilerne village, Bardez taluka, North Goa district

The three-paneled memorial stone is topped by a kalasha (vase) motif. The lower panel plastically represents the immolation of two persons by their decapitation. The heroes are seated on two thrones with folded hands, although their heads are cut as raising weapons as if to cut off the heads. The middle panel depicts one off and shows in front of their thrones two persons, a decapitated hero being lifted by celestial beings, and the uppermost panel illustrates the other hero being carried to heaven by two apsaras.


MEMORIAL STONE
Accession No: 235           Material: Basalt Rock
Period: 12th, century       Dimension: 0.39 x 0.00 x 0.20 meter
Provenance: Malcornem village, Salçete taluka, South Goa district

The inscribed memorial stone is depicted in three panels. The Lowermost panel illustrates a sati about to immolate herself in the funeral fire of her husband, who died a heroic death. The middle panel depicts the hero about to start a combat with his enemy. The uppermost panel represents the hero seated on a throne.


MEMORIAL STONE
Accession No: 207           Material: Basalt Rock
Period: 12th, century       Dimension: 0.85 x 0.41 x 0.13 meter

Provenance: Malcornem village, Salçete taluka, South Goa district
Bi-paneled hero-cum-sati stone commemorating a hero who died a heroic death and his wife, who followed him to the pyre (funeral fire). The lowermost panel represents the wife standing with folded hands before her husband's pyre. Ready to self-immolate. She is flanked by devotees. Musicians are depicted within a structural frame just below the sati; they are playing drum and gong. The upper panel illustrates the enthroned hero in heaven, seated on a throne, and his wife, too, seated on a throne to his left. The heroic couple is shown as attended and worshipped by apsaras and devotees. The apex of the slab has a kalasha.


MEMORIAL STONE
Accession No: 3                       Material Basalt Rock
Period: 11th, century               Dimensions: 26 x 0.40 x 0.11 meter
Provenance: Betki village, Ponda taluka. North Goa district

The inscribed memorial stone represents three sculptured panels that illustrate the voluntary immolation of a hero by fire, representing the hero seated with folded hands amidst the flames. Musicians are on the left side, and a person in an adoring attitude accompanies the act of self-immolation in the middle panels. The hero is being lifted to heaven by four apsaras (celestial damsels), two of whom have chamaras in their hands. The uppermost panel depicts the hero on his way to heaven on horseback in place of his usual seat in heaven. The top portion of the slab replicates a two-tier South Indian Shikara (Superstructure)


MEMORIAL STONE
Accession No: 24             Material: Basalt Rock
Period: 13th, century       Dimension: 0.89 x 0.37 x 0.14 meter
Provenance: Malcornem village, Salçete taluka, South Goa district

A four-paneled memorial stone framed by replicas of decorative pillars. In the upper panel, the hero is depicted as seated on a high asana (seat) flanked by apsaras and protected under parasols. A person is folding their hands before the couple. In the middle panel, a naval battle is depicted where four people are fighting. In the lower panel, three musicians are depicted. The uppermost panel represents an entire hall of a South Indian temple, enshrining a Linga.


MEMORIAL STONE
Accession No: 22             Material: Basalt Rock
Period: 11th, century       Dimension: 0.94 x 0.32 x 0.13 meter
Provenance: Not Known

The oldest preserved and inscribed memorial stone of Goa depicts a naval battle. The record inscribed in Kannada characters contains the date of the year 97(6) of the saka era (1054) belonging to the reign of Jayakeshi the 1. The record commemorates Annayya, the servant of Jayakeshi the 1, who bravely defended Chandrapura, the ancient capital of Goa. The hero is represented standing in the foremost of the three vessels, is being propelled by five carmen. In the middle panel, the hero seems to be worshipping a Shiva linga flanked by two persons holding a parasol over him. In the uppermost panel, the hero is seated in heaven between two apsaras (celestial dasels) holding a chamara (flywhisk).


MEMORIAL STONE
Accession No: 239           Material: Basalt Rock
Poriod: 12th, century       Dimension: 0.35 x 0.90 x 013 meter
Provenance: Agassaim village, Tiswadi taluka. North Goa district

The memorial stone is in three panels depicting a naval battle. The lowermost panel portrays the death of the hero in a naval battle; it depicts a fight between warriors in two boats. The third boat is empty; its occupant's presumably lying slain at the bottom of the sea. The middle panel shows apsaras lifting the hero to heaven. The uppermost panel illustrates the hero as seated in heaven and worshipping a Shivalinga.


LOCATION OF THE HERO STONES: CLICK HERE

A 13th-century Hero Stone with 4 tier. Bottom tier a war scene. The hero may be sitting on an elephant. 

--- OM SHIVAYA NAMA ---