Monday, 18 February 2013

Sri Kailasanathar Temple /ஸ்ரீ கைலாசநாதர் கோயில், உத்திரமேரூர்/ Uthiramerur, Kanchipuram District, Tamil Nadu.

The fourth visit to this Sri Kailasanathar Temple was a part of the 570th week, abhishekam organised by the Ancient Shiva Temples & Shivamayam Team, on 05th October 2025. Thanks to the Shivamayam Team. The details of the 3 visits are written at the end of this article.   


Moolavar : Sri Kailasanathar.
Consort   : Sri Kamakshi

Some of the important details of this temple are...
The temple faces east. Balipeedam and Rishabam are in front. The sanctum sanctorum is about 4 feet above the ground level, like a mada koil. Steps are provided on both sides of the entrance of the maha mandapam and the ardha mandapam. Dwarapalakas are at the entrance of the ardha mandapam. Vinayagar and Murugan are on both sides of the sanctum sanctorum. Moolavar is a little big on a round avudaiyar. A Stucco image of Somaskandar was constructed behind Moolavar, which is a unique feature of this temple. No murtis are found in the koshtams.

In the praharam Vinayagar, Sri Valli Devasena Subramaniar, and Chandikeswarar.

Somaskandar is on the back side wall of the sanctum sanctorum




ARCHITECTURE
The temple consists of the sanctum sanctorum, antarala, ardha mandapam, and maha mandapam. The sanctum sanctorum was constructed with a passage called Santharam/ circumambulatory path around the sanctum sanctorum. The sanctum sanctorum is on a upanam and a simple pada bandha adhistanam with jagathy, muppattai kumudam, and pattikai. The upanam and adhistanam were built with granite stone.

The superstructure above the adhistanam is built with brick and plastered with lime mortar. In bhitti, the plasters are of brahmakantha pilasters with kalasam, kudam, mandi, palakai, veera kandam, and tharanga pothyal. The prastram consists of valapi with bhuta ganas, kapotam, and madahalai (like wooden beams).

The vimana above the bhumidesam is of two tiers. The first tier is of hara style similar to the Dhrmaraja ratham of Mahabalipuram. The haram is also with 6 angas/parts. There is a passage between the 1st tier and the 2nd tier, just above santharam. Provisions are made with glass for the natural light to the santharam. Shiva, Dakshinamurthy, Maha Vishnu, and Brahma are in the tala and greeva koshtams. In addition to the koshta images, many deities’ images are on the two talas. The sigaram is of vesara style with a single kalasam. Maha nasis are on the 4 cardinal directions of the sigaram.
 
The bhitti or the wall is provided with many number of koshtas / niches. (A research article on Tamil Yoginis was published by Emma Natalya Stein and Katherine E. Kasdorf   https://www.mdpi.com/2077-1444/13/10/888. As per the article, the niches might have been installed with Yogini images.






HISTORY AND INSCRIPTIONS
The temple was built during Pallava King Nandi Varman’s period and reconstructed during the Chozha period with stone up to Adhistanam. Later patronised by Chozha Kings Parataka Chozha I, Rajaraja I, Rajendra Chozha I, and Vijayanagara Kings, especially Krishnadevaraya. As per Chozha period inscriptions, this place was called Uttirameru Chaturvedimangalam, and Shiva was called Kailayamudiya Mahadevar.
 
The inscriptions mainly record donations made to this temple in terms of Land, Gold, Goats, Cows, etc, for the regular poojas and functions. In one of the inscriptions, it was mentioned that if the body obstructs the normal functioning of the temple poojas and lighting of lamps received through gifts (By way of gold, Land, cows) to the temple, it will be equivalent to killing their father and mother and killing a cow on the banks of the river Ganga. (This much of Pavam/Sin will be added to them).

Rajendra Chozha-I's period (1015-1016 CE) inscription records the endowment of Naivedyam of rice, ghee, vegetables, and beetle nut for three services and burning of sandhi lamp, for the same land was gifted to the temple.
 
There is a measurement scale marked at the base of the temple in two lengths, each 11 feet, with the Vijayanagara Dynasty's Royal emblem of Kattari and Sun.

The Kumbhabhishekam was performed in 2013 after renovation. Technical assistance was extended by the Reach Foundation for the reconstruction of this temple back to worship.


 Dr Ramachandran explains to us how to read the inscriptions.


A measurement scale marked at the base of the temple in two lengths, each 11 feet, with the Vijayanagara Dynasty's Royal emblem 

POOJAS AND CELEBRATIONS
Apart from regular poojas, special poojas are conducted on pradosham, Maha Shivaratri, Amavasya days, Pourami days, Chaturthi, Sashti, Sankadahhara Chaturthi, Kiruthigai, Vinayagar Chatrithi, etc.

A video on the Abhishekam: 
https://www.youtube.com/watch?v=tI2oiIwTFZk

 
CONTACT DETAILS
Mr Dhinakaran Gurkkal’s mobile number +919940858598 may be contacted for poojas.

HOW TO REACH
The temple is about a km from the Uthiramerur Bus Stand. Uthiramerur is 27 km from Kanchipuram, 31 km from Chengalpattu, and 90 km from Chennai.
Buses are available from Chennai Kilambakkam Bus Terminus, Kanchipuram, and Chengalpattu.
The nearest Railway Junction is Chengalpattu.

LOCATION OF THE TEMPLE CLICK HERE






The first visit to this Sri Kailasanathar Temple, Uthiramerur, was on 13-03-2011 with my wife; at that time, the temple was not fully reconstructed, and Kumbhabhishekam had also not been performed.



The second visit to Sri Kailasanathar Temple, Uthiramerur, was on 17-02-2013, SUNDAY, along with REACH Foundation. During our visit, we participated in the mandala pooja after Kumbhabhishekam. I was fortunate enough to join with the eminent personalities like Mr Sathyamuthy, Rtd. Superintend ASI, Mr Ramachandran, Epigraphist, Tamil Nadu Archaeology Department, and Mr Vakula Varadharajan, a Scholar and Historian.
 



The third visit to Sri Kailasanathar Temple, Uthiramerur, was a part of the Thirumukkudal Temples Visit scheduled on 16th and 17th November 2019, along with Mr Gandhi Rajan and Mrs Sakthi Prakash.
    --- OM SHIVAYA NAMA---

Tuesday, 12 February 2013

Arulmigu Ettukudi Murugan Temple / அருள்மிகு எட்டுக்குடி முருகன் கோயில் / Ettukudi Murugan Temple, Nagapattinam District, Tamil Nadu.

The Visit to this Sri Ettukudi Murugan Temple and Sri Soundareswarar, Shiva temple at Ettukudi, was a part of the Shiva and Maha Vishnu Temples around Sirkazhi Visit on 1st & 2nd July 2023. Even though this temple is dedicated to Shiva, but popularly known as “Ettukudi Murugan Temple – எட்டுகுடி முருகன் கோயில். Also, this temple is called Sathru Samhara Sthalam (To Destroy Enemies).
  
 
Moolavar  : Sri Soundareswarar
Consort    : Sri Anandavalli
Murugan sannidhi   : Sri Subramania Swamy

Some of the salient features of this temple are….
The temple faces east with a temple tank & Neerazhi mandapam. Idumban and Kadamban sannidhis are on the opposite side of the Temple Tank. The entrance arch is on the east side. There are two entrances, of which one is for the Shiva Temple and the other for the Murugan Temple.

There are two entrances, one of which has a 3-tier Rajagopuram in front of the Shiva Temple and another entrance opposite the Murugan Temple.

Murugan Temple.... Balipeedam, Dwajasthambam, and Mayil vahanam are in front of the Murugan temple. Utsavars Arumuga velar, Natarajar are in the ardha mandapam.

Sri Soundareswarar Temple...  Rishabam and balipeedam are in front of the Shiva temple. Ambal Anandavalli is in a separate sannidhi facing south. In koshtam Vinayagar, Dakshinamurthy, Maha Vishnu, Brahma, and Durgai. Utsava murtis are in the ardha mandapam.





Ambal temple 

In praharam, Vinayagar, Nagars, Navagrahas, Bairavar, Saniswaran, Suryan, Ayyappan, Maha Lakshmi, and Chandikeswararas- Two (one for the Shiva temple and another one for the Murugan Temple), and Soundararaja Perumal

ARCHITECTURE
The Murugan Temple’s Vimanam is higher than the Shiva Temple’s Vimanam and may be rebuilt at a later period.  Vinayagar and Murugan temples are constructed in the same style. The Murugan temple consists of the sanctum sanctorum, antarala, and ardha mandapam.  The sanctum sanctorum is on a kapota bandha upanam. The adhistanam is of pada bandha adhistanam with jagathy and three patta kumudam. The Bhitti starts with vedika. The pilasters are Vishnu Kantha pilasters with square bases, kalasam, kudam, lotus petals mandi, palakai, and Poo mottu pothyal. There are no images in the Deva Koshtam. The prastaram consists of valapi, kapotam with nasi kudus and vyyalavari. The two-tier stucco Dravida Vimanam is on the prastaram.  Murugan’s various avatars are on the tala and greeva koshtams. Kumbha panjaras are shown on the antarala wall.




HISTORY AND INSCRIPTIONS
As per the history, the original temple may belong to the 08th -09th Century and the same was rebuilt during the Chozha period.

Maha Kumbhabhishekam was conducted on 08th July 1965 and  2023.


LEGENDS
It is believed that the three idols at Poravachery (near Sikkal), Ettukudi, and Engan were made by the same sculptor. The legend goes like this..... The Murugan idol was sculptured as per the order of the Chozha King. After seeing the beauty of the idol of Poravachery (Sikkal), the king does not want the Sculptor, Silpa Muni, to make another idol and cuts the sculptor's thumb.

As per Muruga’s instruction, the sculptor made the second idol for this place. The same was installed at Ettukudi. When the King came to know that, he made the sculptor the blind. Again, the Silpa Muni took Lord Muruga’s instruction and made the third idol for Engan. This time, he took the help of his daughter. In the process of sculpting, his daughter got hurt, and blood was splashed on his eyes. Immediately, he got back his eyesight and uttered “Oh en Kan”. Hence, the third place was called Engan. The King realized the greatness of the sculptor and Lord Muruga’s grace on him. The King begged Silpa Muni to pardon him and prayed to Lord Murugan.  The Silpa muni attained mukthi at Engan, and his Jeeva Samadhi is on the left side before Rajagopuram.

சில்ப முனிவரால், பொரவசேரி (சிக்கல்)எட்டுக்குடிஎண்கண் ஆகிய கோயில்களில் உள்ள ஸ்ரீ வள்ளி தேவசேனாவுடன் ஆறுமுகப் பெருமானின் சிலைகளை வடித்த வரலாறு...

முத்தரச சோழனின் வேண்டுகோளுக்கிணங்க ஸ்ரீ சில்ப முனிவர் (பொரவச்சேரி சிக்கலில்) ஸ்ரீ வள்ளி, தெய்வானையுடன் உடனுறையும் மயில் மேல் அமர்ந்த நிலையில் ஸ்ரீ ஆறுமுக பெருமானின் திருமூர்த்தியை மிகவும் அழகாக வடித்து கொடுத்தார். அந்த அற்புதமான அழகின் உறைவிடமாக விளங்கிய ஸ்ரீ ஆறுமுக பெருமானின் அழகினை கண்ட முத்தரசசோழன் இது போன்ற ஈடு இணையற்ற சிற்பத்தை வடிக்க ஏற்பாடு செய்த பெருமை தன்னை தவிர இனி வேறு யாருக்கும் கிடைக்கக் கூடாது என்று எண்ணி ஸ்ரீ சில்ய முனிவரின் கை கட்டை விரலை (தானமாக பெற்றார்) வெட்டுவதற்கு உத்தரவிட்டார்.

கட்டைவிரலை இழந்த ஸ்ரீ சில்ப முனிவர் எட்டுக்குடியிலும் அதே போன்று அற்புதமான திருமூர்த்தத்தை வடித்தார். இச்செய்தியினை கேள்வியுற்ற முத்தரச சோழன் ஸ்ரீ சில்பமுனிவரால் இனி இச்சிலைபோன்று எந்த விதமான சிற்பங்களும் உருவாக்காமல் இருப்பதற்கு ஸ்ரீ சில்ப முனிவரின் இரண்டு கண்களையும் பறித்து குருடாக்கினார்.

ஸ்ரீ ஆறுமுக பெருமான் மீது அதீத அன்பு கொண்ட ஸ்ரீ சில்ப முனிவர் கை கட்டை விரலையும் கண்களையும் இழந்து மனம் தளராமல் தன்னுடைய மகள் உதவியுடன் எண்கண் திருத்தலத்தில் மீண்டும் ஸ்ரீ வள்ளி தெய்வானையுடன் உடனுறையும் மயில் மேல் அமர்ந்த நிலையில் ஸ்ரீ ஆறுமுக பெருமானின் அழகிய சிற்பத்தை தன்னுடைய எண்ணமே கண்களாக கொண்டு முன்பு வடித்த இரு சிற்பங்களை விட மிக அழகாகவும், நேர்த்தியாகவும் வடிவமைத்தார்.

ஸ்ரீ சில்ப முனிவரின் பக்தியில் அகம் மகிழ்ந்த ஸ்ரீ ஆறுமுக பெருமான் ஸ்ரீ சில்ப முனிவருக்கு அருள்புரிந்தார். ஸ்ரீ சில்ப முனிவர் தான் வடித்த ஸ்ரீ முருகப் பெருமானின் சிற்பத்திற்கு கண் திறக்கும் தருணத்தில் அருகில் உதவிக்கு இருந்த அவருடைய மகளின் கையில் உளிபட்டு இரத்தம் பிறிட்டு ஸ்ரீ சில்ப முனிவரின் கண்களில் பட்டவுடன் ஸ்ரீ ஆறுமுக பெருமானின் அருளால் இழந்த கட்டை விரலையும், இரு கண்களையும் ஸ்ரீ சில்ப முனிவர் திரும்ப பெற்றார்.

ஸ்ரீ சில்ப முனிவர் தான் இழந்த கட்டை விரலையும் இரு கண்களையும் எண்கண் திருக்கோயிலில் தந்து அருளியது போல், எண்கண் திருத்தலத்தில் வந்து உள்ளம் உருகி வேண்டும் பக்தர்களுக்கு இழந்த அனைத்து செல்வங்களையும் மீண்டும் தந்தருளுமாறு ஸ்ரீ ஆறுமுக பெருமானிடம் மனம் உருகி வேண்டினார். ஸ்ரீசில்ப முனிவரின் பக்தியில் அகம் மகிழ்ந்த ஆறுமுக பெருமான் ஸ்ரீ சில்ப முனிவரின் வேண்டுகோளுக்கிணங்க எண்கண் திருத்தலத்தில் ஸ்ரீவள்ளி தெய்வானையுடன் மயில் மேல் அமர்ந்து பக்தர்களுக்கு அருள்புரிந்து வருகின்றார்.



POOJAS AND CELEBRATIONS
Apart from regular poojas, Thirupalli ezhuchi at 06.00 hrs,  Uchi kala pooja at 12.00 hrs, Ardha Jama pooja at 21.00 hrs, 3 kala poojas are conducted in between them. Abhishekam will be conducted between 08.00 hrs to 09.00 hrs, 11.00 hrs to 12.00 hrs, and 17.00 hrs to 18.00 hrs.

TEMPLE TIMINGS
The temple will be kept open between 06.00 hrs to 13.00 hrs and 15.00 hrs (Yes, it is 15.00 hrs ) to 21.00 hrs.

CONTACT DETAILS
The mobile number +91 6381175579 may be contacted for further details.

HOW TO REACH
The temple is 4 km from ECR, 19 km from Thiruthuraipoondi,  25 km from Thiruvarur, 30 km from Nagapattinam & Sikkal and Engan, 94 km from Sirkazhi, and 360 km from Chennai. 
The nearest Railway Station is Thiruvarur.

LOCATION OF THE TEMPLE: CLICK HERE

 Navaveerars
 
 Vinayagar Sannidhi



Chandikeswararas- Two (one for the Shiva temple and another one for the Murugan Temple) 
 Bairavar and Gajalakshmi Sannidhis
 Natarajar Sannidhi
 Temple tank with Neerazhi mandapam at the center



 Idumban Sannidhi
Idumban Sannidhi
 Chariot wooden sculptures
Chariot wooden sculptures
Chariot wooden sculptures
Chariot wooden sculptures
Chariot wooden sculptures
Chariot wooden sculptures
--- OM SHIVAYA NAMA ---