VELUDHARAN TEMPLES VISIT : Andhra Pradesh

Showing posts with label Andhra Pradesh. Show all posts

Friday 29 September 2023

Hero Stones / Veerakallu / Sati Stones/ வீரக்கற்கள் / Sri Subrahmanyeswara Swamy Temple/ மல்லம் ஸ்ரீ சுப்ரமணிய சுவாமி கோயில், Mallam, Sri Potti Sriramulu Nellore District, Andhra Pradesh.

The Visit to this Hero stones / veera kallu, installed at the Pallava period Shri Subramanya Swamy Temple at Mallam was a part of Shiva and Murugan Temples Visit in Andhra Pradesh and Thiruvallur District, Tamil Nadu on 16^th September 2023.

16 Nos of Hero stones are installed all of them facing east on both sides of the temple compound wall. All the hero stones are navakandam / arikandam style. All the Heroes are in standing posture, of which 11 heroes are holding sword in both hands and the rest 5 Hero stones, cutting their head with right hand and holding the tuft in the left hand.

SOUTH SIDE OF THE TEMPLE

NORTH SIDE OF THE TEMPLE

These Hero stones belongs to Pallava period ( 7^th to 8^th Century ) to Vijayanagara period. It was told that this group had a Pallava King Kampa Varman’s period Hero stone with inscriptions. In that hero stone the Hero holds his head in one hand after cutting and offering. This Pallava King Kampa varman’s period Hero stone is missing from this group. The inscription details and photos are published in the SII Volume 12, Sl No 106.

The Pallava King Kampavarman’s 20^th reign year inscription inscribed on the Hero stone, holding his severed head by the tuft in his left hand, while the right hand holds a sword ( Plate VI ). The inscription records a gift of land made by the urar ( Villagers ) of Tiruvanmur to Pattai-Pottan for the pious act of Okkondanagan Okkatindan Pattai-Pottan, probably his father, in cutting off flesh from nine parts of his body and finally his head as an offering to the goddess Bhatari, i.e., Durga.

The rituals connected with human sacrifice offered to the goddess Durgā are described in the Kalika-Purana, Chapter 70. The present Mallam or an ancient suburb of it was known as Tiruvanmür in inscriptions. The Inscription reads as…

1 ஸ்ரீ கம்பபருமற்கு யாண்டு இருபதாவது [ப]ட்டைபொ[த்]-
2 [த]னுக்கு [ *] ஒக்கொண்டநாகன் ஒக்கதினன் பட்டைபொத்தன் மெ-
3 [தவம்] புரிந்ததென்று டாரிக்கு நவக்கண்டங் குடுத்து
4 [குன்றகத்]தலை அறுத்துப் பிடலிகை மெல் வைத்தானுக்கு தி-
5 ருவான்மூர் ஊரார் வைத்த பரிசாவது[]] எழுர்ப் பறைகொட்டிக் கல்[மெ]-
6 [டு செய்தாராவிக்கு]க் குடு[ப்]பாரானார் பொத்தனங் கிழவர்களும் தொ[று)-
7 [ப்ப]ட்டி நிலம் குடு[த்],தார்கள்[]]] இது அன்றென்றார் கங்கையிடைக் குமரிஇ-
8 [டை எழுநூற்றுக்காதலும் செய்தான் செய்த பாவத்துப் படுவ-
9 ார் [|"] அன்றென்றார் அன்றாள்கொவுக்கு காற்ப்பொ
10 ன் றண்டப் படுவார் [")

HOW TO REACH
The temple at Mallam is about 28 KM from Naidupet, 85 KM from Nellore and 131 KM from Chennai.
Nearest railway Station is Naidupet.

Every half an hour, APSRTC Buses are available from Naidupet bus Stand

LOCATION OF THE TEMPLE : CLICK HERE

--- OM SHIVAYA NAMA ---

Thursday 28 September 2023

Mallam Sri Subramanya Swamy Temple / Sri Subrahmanyeswara Swamy Temple/ மல்லம் ஸ்ரீ சுப்ரமணிய சுவாமி கோயில், Mallam, Sri Potti Sriramulu Nellore District, Andhra Pradesh.

The Visit to this Pallava period Shri Subramanya Swamy Temple at Mallam in Andhra Pradesh and a Shiva Temple in Tiruvallur District was a part of Shiva and Murugan temples visit on 16^th September 2023.

Moolavar : Shri Subramanya Swamy

Consort(S) : Shri Valli & Devasena

Some of the Salient features of this temple are….

The temple is facing east with a rajagopuram base. The Temple tank with a neerazhi mandapan is in front of the temple. Dwarapalakas are on both side of the entrance of the Rajagopuram base. Balipeedam, Dwajasthambam and rishabam are in front of the temple. Natarajar with Sivakami and Manickavasagar are at the south side of the mandapam. Again Arumugar with Valli devasena Utsava murtis are in the ardha mandapam. Moolavar Sri Subramaniar is in the form of Brahma sastha ( The old Pallava period Moolavar was replaced bay a new moolavar during recent years. It was told that the hands are broken and kept in the sanctum itself – the old idol was a Brahma sastha ). In Koshtam Vinayagar, Dakshinamurthy, Maha Vishnu, Brahma and Durga.

In the inner praharam Sri Valli, Devasena, Chandikeswara. Chandran, Nagars and two Devotees.

In the outer praharam, Vahanas ( in glass enclosures ), Vinayagar, Navagrahas, Bairavar, a Shiva Temple with Dwajasthambam, Balipeedam and Rishabam and Vasantha mandapam with 64 pillars exquisitely carved.

18 numbers of hero stones are installed on both sides of the Compound wall of the temple, of which one belongs to Pallava period and the details will be posted separately.

Maha Vishnu - Dakshinamurthy - Brahma

Damaged Pallava Brahma Sastha

Bairavar

ARCHITECTURE

The temple consists of sanctum sanctorum, antarala, ardha mandapam and a maha mandapam. The sanctum sanctorum is on a pada bandha adhistanam with Jagathy, threepatta kumudam and pattikai. The bhitti starts with Vedikai. The Pilasters of are Brahmakantha pilasters with kalasam, kudam, Lotus petals mandi, plakai and vettu pothyal. Kumbha panjaras are between Deva Koshtas. The Kostas are sala style. The prastaram consists of valapi, kapotam and Vyyalavari. A Dravida vimanam is on the Bhumidesam, on a raised level. Shiva with Parvati, Dakshinamurthy, Maha Vishnu and Brahma are in the Greeva koshtam.

Praharam with Vrutha Pillars

The vasantha mandapam, which contains 64 pillars ( May be built during 15^th to 16^th Century Vijayanagara Period ) is on the south east corner of the temple premises with shobana mandapam. This mandapam is used for important utsavams and celebrations. The front sobhana mandapam was built like Chariot with two wheels and pulled by two horses. The Pillars and the adhistanam base has the bas-reliefs of Shiva’s various forms, scenes from Epic Ramayana, Dancers, Musicians / Musical instrument players, Hindu deities, Saints, Maharishis, Paintings of Sthala purana of various temples, and some erotic reliefs too. There is an interesting story behind this mandapam.

Rama shoots Vali

HISTORY AND INSCRIPTIONS

This Brahma sastha temple otherwise known as Sri Subramanya Swamy Temple belongs to Pallava period ( 7^th to 8^th Century ) and the same was constructed with stone during Chozha Period and reconstructed during Vijayanagara period. Chozha and Vijayanagara period Inscriptions are found on the adhistanam and walls. As per the inscriptions this place Mallam was called as “Tiruvanmür”.

The Inscriptions belongs to 11^th to 12^th century Chozha period ( Some inscriptions starts with Thiribhuvana Chakravarthikal .. and meikeerthi as ஸ்வத்திஸ்ரீ திரிபுவன சக்ரவர்த்திகள் மதுரையும்… ) and 16^th – 17^th Century Vijayanagara period. Most of the inscription records the endowment established for prayer / service, burning lamps and the donations made to this temple.

LEGENDS

As per the legend Sri Subramanya Killed a demon called Malla at this same place. The demon Malla prayed Subramanya, that this place to be called in his name, hence this place is being called as Mallam.

The Legends behind the construction of temple is painted on the antarala and ardha mandapam walls. As per the legend, Kulothunga Pandya Bhupathi ( ..? is there any body ), who ruled this area came to this place for hunting, happened to see bamboos grown on an ant hill. The ant hill was grown over Sri Subramanya Swamy, who was doing penance. Without knowing this the king ordered to cut the bamboos for making a palanquin. While Cutting the bamboos the knife / sword cuts the hands of Sri Subramanya Swamy. Blood was oozing out from the ant hill. That night Sri Subramanya Swamy, came in the king’s dream and advised the king to construct a temple to get rid of sin caused for cutting his hand. The King constructed this temple and consecrated.

There is a local interesting legend behind the 64 pillar Vasantha mandapam. The sculptor who constructed the mandapa had a son who was also a great sculptor. He has the great skill of giving life of the sculptures. After the Horse and the wheels are sculpted for the sobana mandapa, the Sculptor’s son wishes to go and see his lover with the Chariot mandapa. When the sculptor’s son, was about to take off the chariot with stone horses after giving life to them, the Sculptor broke the legs of the horse and the Chariot didn’t moved further. With anger the Sculptor killed his son and killed himself too.