Saturday 4 September 2021

Parshvanath Tirthankara and 3 Jain beds in Jain Cave, Pasumalai Padukai, Thondur, Villupuram District, Tamil Nadu.

The second visit to this Tirthankara and jain beds at Pasumalai padikai / Thondur also called as “Panchanarpadi Cave” was a part of Villupuram Heritage Walk organized by History Trails on 24th and 25th July 2021. During our 2nd Visit it was observed that ( first trip Organised by REACH Foundation on 15th Feb 2015 ), steps were constructed up to steps chiseled on the rock to climb easily. This monument is with a Jain Tirthankara Parshvanath bas-relief and 3 beds.
 

Tirthankara…. Parshvanath is shown in sitting posture with a snake hood on the back of the head. Mukkudai is not shown. 3 Simha’s are shown at the base. Parshwanath Tirthankara’s face and body are reworked, which spoils the antiquity of the bas-relief. The old and new pictures are given below for comparison.


The Tamizhi /Brahmi inscriptions are not legible to read. From the document, the Jains beds are created by Mosi as per the instruction of Senkayan.  This brahmi / Tamizhi inscriptions belongs to 3rd Century CE. 

ஸேங்காயிபன் ஏவ அகழ் ஊரறம்  மோசி செயித அதிட்டானம்

As per Senkayiban's instruction Mosi has done 3 samanar beds. Whether the 3 horizontal lines represents the 3 beds.. ?, is not known. As per the Jains web site, it was read as...  


( இ ) ளங்காயிபன் ஏவ அகழ்ஊரறம்  
மோசி செயித அதிடானம்..  

என்பது இதன் வாசகமாகும். தொடக்கத்தில் “இ” க்கான மூன்று புள்ளிகள் உள்ளது போல் தெரிகிறது. இறுதியில் மூன்று என்பது ஒன்றன்கீழ் ஒன்றான படுக்கைக் கோடுகளால் காட்டப்பட்டுள்ளது. இளங்காயிபன் பணித்தபடி (ஏவ ) அகழூரினர் இந்த அறத்தைச் செய்தனர்.  இந்த புனித இருக்கை ( அதிட்டானம் ) மோசியால் செய்யப்பட்டது என இரு செய்திகளாகப் பொருள்தருகிறது. இறுதியில் உள்ள மூன்று கோடுகள் அங்குள்ள படுக்கைகளில் மூன்று படுக்கைகளின் எண்ணிக்கையைக் குறிக்கிறதா என்பது தெரியவில்லை.

1 மற்றும் 12வது எழுத்துக்கள் நடன காசிநாதனால் “ஸ” என படிக்கப்பட்டன. 15வது எழுத்தான “ற” கல்வெட்டு  வெட்டியவரால் பிழையாக வலம் இடமாக வெட்டப்பட்டுள்ளது. மூன்றாவது எழுத்து “ங்” புள்ளியுடன் உள்ளது. அகழூர் என்பது அகழ் ஊர் என இக்கல்வெட்டில் உள்ளது. இன்று தொண்டூர் அருகில் அகலூர் என்றொரு ஊர் உள்ளது. அகழூரினர் ஒன்றாக இணைந்து இளங்காயிபன் என்பவர் பணிக்க அறம் செய்துள்ளனர் என்பது ஒரு நிறுவன அமைப்பினை உணர்த்தும். மோசி என்பது ஆட்பெயர். “திருந்து மொழி மோசிபாடிய ஆயும்  என்பது புறப்பாடல் வரி ( புறம் 158 ).



HOW TO REACH
Thondur / Pasumalaipadukai / Panchanarpadi cave is about 17.5 KM from Gingee, 57 KM from Villupuram, 58 KM from Thiruvannamalai, 69 KM from Thirukovilur and 155 KM from Chennai.
Nearest Railway Junction is Villupuram. 

LOCATION OF THE CAVE  :  CLICK HERE


---OM SHIVAYA NAMA ---

Friday 3 September 2021

HERO STONE / Sati Stone / Navakandam / Veerakallu / Nadukal of Sendiyampakkam and Jambai, Villupuram and Kallakurichi Districts, Tamil Nadu.

The visit to this Hero and Sati stones at Sendiyampakkam, was a part of Villupuram Heritage Walk organized by History Trails, on 24th and 25th July 2021.

Hero Stone at Sendiyampakkam ( Inside the Eri ), Villupuram District
This Hero stone is in side the eri / on the east banks and west of Shiva Temple where the Loose sculptures are there. This hero stone belongs to Pallava King Simhavishnu’s period ( 570 – 600 CE ). This hero stone was erected to a soldier  Karunandhi, the younger son of Chintriyambakkam Sothala parumakkal Nandi Kilan, who was killed, belongs to Amoor Kottam  meengundram ( in Jayangoda Chozha mandalam near Thirukazhukundram in Chengalpattu District ).

This Hero stone is being called as Thorattikal by the Local people. In the hero stone the hero is shown like marching on his left side. Holds a kattar in the right hand and a bow with three arrows are shown. The hero wears dress below his hip, the rope of the dress is shown between his legs. Also wears ornaments in his neck.

This inscription in Tamil vattezhuthu records as …
  1. சிங்கவி
  2. ண்ணபரு
  3. மற்கு
  4. செருசேவகரு
  5. ஆமூருக்கோ
  6. ட்டத்துமீ
  7. ங்குன்றத்
  8. துசொதல
  9. ங்கிழபரும
  10. க்கள் நந்தி
  11. கிளனரு சின்
  12. றியன் பாக்கம்
  13. இளமகன்
  14. கருநந்திகு
  15. த்திப்பட்டாரு



SATI STONE, at Sendiyampakkam, Villupuram District.
This Sati stone is at the beginning of the Village. This sati Stone belongs to 6th century CE, Pallava period.

In tha Sati Stone the hero is shown at the centre holding a sword ( Ganga Style ) in the right hand and a shield in the left hand. He wears dress below his hip and a kattar is shown on the right side of his hip. His wives those took sati after the Hero’s death, are shown both sides. The right side lady holds a toddy pot and the left side lady holds a flower. A lamp is also shown on the left side lady’s leg.

Dr Poongundran mentions two inscriptions in two different pages in his book of which one is wrong. The inscription on this Sati Stone reads as…
  1. ஆமூர்
  2. ரைசரு மக்கள்
  3. ...ரும்மகாட்டி
  4. அருகருபூச
  5. ...பட்டா
  6. (ருகல்)
 The other inscription reads as…
  1. …. போத
  2. ரைசரு மக்கள்
  3. ட்குவ்வி
  4. ஆருதரு பும
  5. கண்ண….
LOCATION OF THE VILLAGE : CLICK HERE



Hero Stones – Navakandam / Arikandam at Sri Jambunatheswarar Temple, Jambai, Kallakurichi District.
The navakanda Nadukal erected for a Hero for successful completion of a mandapa at the temple. A land was gifted to his brother as Uthirapatti. The Hero is shown cutting his head, holding the sword in both hands, is a special feature of this Navakanda sculpture. Usually inscriptions will be inscribed on the hero Stone itself. But insthis case the inscription is inscrobed / recorded on the walls of Sri Jambunatheswarar Temple wall.

The details of the inscription are….
Koperunjingan’s 13th reign year inscription records that a tax free land of 150 Kuli by the Thanathar for this temple, according to the order of Gangayar to Annamalai, the younger brother of Atkondan, who cut of his head so that the nirutha ( Dancing Hall ) mandapa in the temple of Tirttantonri Aludaiya Nayanar (Thiri Thanthodonri Aludaiya Nayanar ) at Sambai / ( Jambai ) might be completed. Atkondan is stated to be the younger brother of Perralvi, devaradiyal ( temple maid servant ) residing in the Village. ( This inscription is for an instance of Voluntary sacrifice for the successful completion of a Mandapa )

LOCATION OF THE VILLAGE : CLICK HERE



HERO STONE at Mel Olakkur.
In this hero stone, Three warriors holding sword and shield.  This Hero stone was erected to the warriors who lost their lives in a war. While the two warriors pointing the sword down where as one warrior holds his sword up.

LOCATION OF THE VILLAGE : CLICK HERE  

--- OM SHIVAYA NAMA ---

Thursday 2 September 2021

Adukkankal Ancient Jain Caves / Tamizhi Inscriptions and Rock art, Neganur Patti, Neganurpatti, Villupuram District, Tamil Nadu.

The second visit to this Adukkankal was a part of Villupuram Heritage Walk organized by History Trails, on 24th and 25th July 2021. The first Visit  to this Neganurpatti Adukkankal ancient Jain caves, a Jain Heritage site was organized by REACH Foundation on 15th Feb 2015. It was told that this was discovered Mr Veeraraghavan of Villupuram and Published by K. Rajavelu.


This place is called as ‘ADUKKU MALAI’ otherwise known as Adukkamparai by the locals. There is no proper approach road to this place. This is monument is a three individual big rocks sitting one on the another. A 4 line Tamil Brahmi/ Tamizhi inscription was inscribed on the base of the boulder. The inscription records the construction of school. The inscription belongs to 4th century.  The inscription records that Sekkanthi’s mother SekkanthaNNi, who belongs to Village Perumpukazh, had created this Jain Palli. 
The inscription reads as ….
  1. பெரும்பொகழ்
  2. செக்கந்தி தயிரு
  3. சேக்கந்தண்ணிசெ
  4. ய்வித்த பள்ளி
என்பது கல்வெட்டு வாசகமாகும். பெரும்பொகழ் என்ற ஊரைச் சேர்ந்த சேக்கந்தி என்பவரின் தாயான சேக்கந்தண்ணி என்பவர் இந்த பள்ளியைச் செய்வித்தார் என்பது இதன் பொருளாகும். முதல்வரி கடைசி எழுத்து ”ழ்”. க. இராசவேலுவால் “ய்” என்று படிக்கப்பட்டது. இரண்டாம் வரி கடைசி எழுத்து ”ரு”,  எம்.டி சம்பத்தால் “உ” என்று படிக்கப்பட்டது.

கல்வெட்டுச் செய்தி
கல்வெட்டில் சேக்கந்தண்ணி என்பதை சேக்கந் அண்ணி என்று பிரித்துப் படிக்க வேண்டும். இவரைச் சமணப் பெண் துறவியாகக் கொள்ளலாம். சேக்கிழார் என்பதில் “சே” குடிப் பெயராக இருப்பது போல இங்கும் குடிப்பெயர் எனக்கருதலாம். “சே” என்பது காளை என்ற பொருளில் அகப்பாடலில் ( அகம் 36 “கயிறு இடு கதச் சேப்போல” ) குறிக்கப்படுகின்றது. கந்தி என்ற சொல் சீவக சிந்தாமணியில்  ( 26:49 கறந்த பால்  அணைய கந்தி ) பெண் துறவி என்ற பொருளில்  கையாளப்பட்டுள்ளது. சூடாமணி கந்தி கௌந்தி  என்ற சொற்களுக்கும் பெண்துறவி என்று பொருள் சொல்கிறது. தாயிரு என்பது தற்கால கன்னட மொழியில் தாயாருக்கு வழக்கு சொல்லாக  உள்ளது. அண்ணி என்பது மரியாதைச் சொல்லாக பயன்பட்டுள்ளது. பெரும்புகை என்றொரு ஊர் அருகில் உள்ளது. அங்குள்ள குன்றிலும்  கற்படுகைகள் கண்டறியப்பட்டுள்ளன. இக்கல்வெட்டில்  சொல்லப்படும் பெரும்பொகழ் இன்றைய “பெரும்புகை” யாக இருக்கலாம்.
 

ROCK ART
Under the big rock there are prehistoric painting. The painting consists of men with various actions like holding some thing in hands, playing etc. The paintings are drawn with white ochre. This is estimated to be of 5000 - 6000 years old.



This Heritage site faced a threat of demolition  for quarry. The same was stopped after the Historians, Jains and Heritage enthusiasts pleaded to Tamil Nadu Government. 

HOW TO REACH :
The Place Neganur patti is on the Road Melakkalvai to Neganur, turn right before right and the Adukku parai a about 2 KM.
This Adukkankal Ancient  Jain monument  is about 7.2 KM from Gingee, 47 KM from Villupuram, 47 KM from Thiruvannamalai, 58 KM from Thirukovilur and 156 KM from Chennai.
Nearest Railway Junction is Villupuram. 

LOCATION OF THE PLACE : CLICK HERE

---OM SHIVAYA NAMA---

Wednesday 1 September 2021

Sri Yamadhandeeswarar Temple / ஸ்ரீ எமதண்டீஸ்வரர் கோவில், ஆலக்கிராமம் / Alagramam, Villupuram District, Tamil Nadu.


The visit to this temple was a part of Villupuram Heritage Walk organized by History Trails on 24th and 25th July 2021. The temple is under renovation and the works are moving in a snail’s space due to shortage of fund. Temple authorities requested to donate liberally to this temple to spring back this temple to its original glory.



Moolavar  : Sri Yamadhandeeswarar
Consort    : Sri Thirupurasundari

Some of the salient features of this temple are..
The temple is under Palalayam during our Visit and Parivara sannidhis are under construction. The temple is facing east with a 3 tier Rajagopuram ( under construction ). A Soolakal ( Ashtra Deva ..?), Balipeedam and Nandi are after the Rajagopuram. Stucco Vinayagar, Lord Shiva and Parvati as Rishabaroodar and Murugan are at the top of the entrance. Moolavar in the sanctum sanctorum is little big square banam on a square avudayar. ( As per the Historians Moolavar belongs to Pallava Period ). In Koshtam Dakshinamurthy and Maha Vishnu. Dakshinamurthy’s hands are in broken condition.  In antarala, a 5th Century Vinayagar, Arumuga and Urchavars. In Mukha mandapam, Lakuleesar, Veerabhadra and Vinayagar.     

In Praharam Nagars, Chandikeswarar, Saniswaran, Vinayagar, Murugan without consorts, Natarajar and a Jeeva Samadhi of a saint.

Ambal is in the Mukha mandapam facing south. Ambal Thiripurasundari is in standing posture with Abhaya and varada hastam. Upper hands are holding nilotpala flowers. Ambal is about 6 feet tall.

ARCHITECTURE
The temple consists of sanctum sanctorum, antarala, Ardha mandapam and a newly built mukha mandapam. Stucco Dwarapalakas, Vinayagar and Murugan are in the Mukha mandapam.  The Adhisthana is of simple padabandha with threepatta kumuda. The walls and Vimana are constructed with Brick above stone adhisthana. A 3 tier nagara Vimana is on the sanctum sanctorum. Vishnu kantha Pilaster and kapotha are built with brick.    

During 2015, thirupani, A bas relief Vinayagar, Maha Vishnu and Lakuleesar sculptures are unearthed. As per the historians these sculptures belongs to pallava period.


It is believed that Nandi breaths during Pradosham abhishekam. To prove the same the nostles are little different from the usual posture. Also it is believed that Moolavar also breaths during Poojas and breathing sounds was heard by the Devotees. 

பிரதோச காலத்தில் நந்தியும், பூசனைகள் செய்யும் போது மூலவரும் சுவாசிப்பதாக பக்தர்கள் நம்புகின்றனர். 


Vinayagar.. The Vinayagar’s base has inscriptions, which changes from Tamizhi to Vattezhuthu. This was identified by Mr Veeraraghavan and his wife Mangayarkarasi as older than Pillayarpatti Vinayagar and belongs to 4th to 6th Century. As per late Mr Iravatham Mahadevan, this Vinayagar may belongs to 5th Century. The Vinayagar Panel is 75 CM high and 40 CM wide. Vinayagar is with 2 hands holding thandam and broken tusk. The inscription on the base reads as ..

பிரமிறை பன்னூரு சேவிக…. மகன்…. கிழார் கோன்….. கொடுவித்து

As per the historians, this inscription mentions the name of the sculptor, who had sculpted this Vinayagar. 

வினாயகர் 75 CM x 40 CM அளவுள்ள பலகைக் கல்லில் புடைப்புச்சிற்பமாக செதுக்கப்பட்டு உள்ளார். வினாயகர் இரண்டு கைகளுடன் காணப்படுகின்றார், அக்கைகளில் இடது கரத்தில் தந்தத்தையும், வலது கரத்தில் தண்டத்தையும் ஏந்தி காணப்படுகின்றார். பீடத்தில் தமிழியில் இருந்து வட்டெழுத்துக்கு மாற்றம் அடைந்த காலக்கட்டத்தில் எழுதப்பட்ட எழுத்துப் பொறிப்புகள் காணப்படுகின்றது. அக்கல்வெட்டு.... 

"பிரமிறை பன்னூரு சேவிக .... மகன்.... கிழார் கோன்... கொடுவித்து"

எனப் பொறிக்கப்பட்டு உள்ளது. இதில் வரும் கிழார் கோன் என்பவர் இந்த வினாயகரைச் செதுக்கிய சிற்பியாக இருக்கக்கூடும் என்று இதை இனம் கண்ட திரு வீரராகவன் தம்பதியர் மற்றும் ( மறைந்த ) திரு ஐராவதம் மகாதேவன் அவர்களும் கருதுகின்றனர். இந்த வினாயகர் 4-5 ஆம் நூற்றாண்டைச் சார்ந்ததாக இருக்கலாம் எனவும், பிள்ளையார்பட்டி வினாயகருக்கு முன்னவராகவும் கருதப்படுகின்றார்.


Mahavishnu…. Mahavishnu is in standing posture with Venkotrakudai and samara / whisk. Makuda is of pallava Style Greeda makuda. Mahavishnu’s upper hands holds Conch / sangu and Chakra. Lower right hand is in abhaya hastam and left hand is in kadi hastam. He wears ornaments in the ears, necks, Yagnopaveetha and a uthara bandham.  Sridevi and Bhudevi are shown on both sides of his feet in kneeled worshiping posture with flowers. This Mahavishnu may belongs to 7th century.


Lakuleesar… This Lakuleesar / Lakulisar sculpture was unearthed during thirupani near the sanctum. Lakuleesar, who lived in 2nd century is believed to be the 28th Avatara of Lord Shiva. He established a sect Shaivam called Lakulisa pasupata  of worshiping Lord Shiva. This flat stone sculpture of Lakuleesar belongs to 5th to 6th Century Pallava period.  Lakuleesar is in sitting posture wearing ornaments like a King. The Jadamaguda is shown with a knot on the top. He wears ornaments, Padra kundala in the ears,  neck and Urethra Bandham.  Lakuleesar holds a dhandam on which a snake is coiled around it and left hand is on his thigh. The thandam is like lathe finished. His ankuri / penis is shown protruding out side. The dress frill is shown touching the ground after the right leg.

This Lakuleesar is one of the more than 10 Sculptures unearthed in Villupuram District. This indicates that Lakulisa Pasupata Shaiva was in peak during 5th to 6th Century around Villupuram District. The Inscription vattezhuthu records as ...ஆலக்கூரை .... லகுலீச... செய்வித்தது... Since the inscription is eroded heavily, couldn't further. ( Thanks to Mr Veeraraghavan, Villupuram who identified this Lakuleesar Sculpture. 
     

Arumugar… Arumugar is without his consorts Sri Valli Devasena. Arumugar is sitting on his vahana Peacock with 12 hands holding various weapons. Thiruvasi shown behind is an integral part of the sculpture looks beautiful.

Dakshinamurthy…  Looks beautiful even after the left leg and hand are broken, may be during Muslim invasion. He wears patra kundala in the ears, ornaments, Yagnopaveetha, Uthara bandham and Rudraksha mala. His upper hands are holding Lamp and snake ( similar to Kalakkad Temple ).
   

Mr Sundaramurthy, a care taker of the temple pointing one tree and claimed as  “Thiruvodu maram”. Actually the tree is not a Thiruvodu maram  and Botanical name as Crecentia Cujete calabash. (https://en.wikipedia.org/wiki/Crescentia_cujete ). It has the origin of Africa.  Actual Thiruvodu maram is  the seed of a Palm tree and its origin is Male island. For the details please click these links.  ( http://namathu.blogspot.com/2020/06/2-calabash.html ).


HISTORY AND INSCRIPTIONS
As per the Historians and researchers, the original temple was built during Pallava period with latter Chozhas and Vijayanagaras contributions. As per the inscriptions this place was called as “Arkamoor PaRRu” which was corrupted to the present name of Alagramam.

The available inscriptions reads as…
ஸ்வத்திஸ்ரீ இக்கோயிலில் கார்த்திகைக்காகங்கொண்டு இந்த நத்த மாக்கரிய பெருமாள் திருமேனிக்கு….”
மண்டலேசுவர மேதினி யீரகக்கண்டகட்டா ஆர்காமூர் பற்று நடக்கையில் இவ்வாண்டு….
ஸ்வத்திஸ்ரீ திருமன்னி வளர….”

The inscriptions are in badly damaged condition and doesn’t have continuity. Rajendra Chozha’s inscription records the endowments for poojas, naivedyam etc, for which donations were made.

It was told that Kanchi Maha Periyava Sri Chandrasekarendra Saraswathi swamigal paid visit to this temple in 1943, 1952, 1966, 1969 and 1972, during yathra in this side.

LEGENDS
This temple’s sthala purana is a continuation of Thirukadaiyur sthala purana.  Mrukandu Maharishi did a penance on Lord Shiva for a Child boon. Appreciating his penance, Lord Shiva asked the Maharishi, whether he wishes a child with longer life, but without any wisdom or with brilliant wisdom, who will live only 16 years. Mrukandu Maharishi had chosen the second option. When his son Markandeya was nearing 16 years, Mrukandu Maharishi told the truth to his son that his life in this world will come to an end when he completes 16 years.

Markandeya went many temples worshiped Lord Shiva and finally came to Thirukadaiyur when he was nearing his end. With the power of his penance, Markandeya knew that Yama is approaching him to take away his life. Markandeya prayed to Lord Shiva and embraced him. To Yama’s eyes, only markandeya was visible and threw the Pasarope on Markandeya. Since Markandeya was embracing Lord Shiva the rope also touched Lord Shiva. Angered Lord Shiva appeared in the form Rudra murthy and kicked  Yama with his leg, hence called as Kalasamhaaramurthy ( Yama is also called as kala ). Markandeya was blessed with 16 years ever ( Siranjeevi ).

To get rid of the dosha incurred for throwing pasa rope on Lord Shiva, seek advice from his father Suriya. Suriya Suggested Yama to create a Shiva Linga on the banks of River Varaha, create Ganga Theertha and do a penance on Lord Shiva. Satisfied with the penance Lord Shiva appeared before him and asked what he wants. Yama requested Lord Shiva, to pardon him for the sin caused due to throwing rope on him. Lord Shiva Pardoned Yama and gave back his powers and Thanda. Hence Lord Shiva is called as “Yama Dhandeeswarar”. There is a Temple called, Dhandeeswarar Temple at Velachery, Chennai with a similar sthala purana. Saniswaran also worshiped Lord Shiva of this temple.

Yama also requested Lord Shiva to bless all the devotees who offer worship at this temple. It is believed that Devotees worships Lord Shiva and Ambal of this temple to get rid of Chronic decease, to extend the life, to get childboon, to remove marriage obstacles.

It is believed that Ambal’s face changes every day to bless the Devotees, ie with a childish face on Pournami / Amavasya Days, beautiful face on Sundays, with a smiling face on Mondays and Tuesdays,    with ugra on Tuesdays and Wednesdays and With Sahanti & Peace on Thursdays and Saturdays. It is believed that those who worships with lighting Ghee lamps Ambal on 7 consecutive Fridays  will get a Child boon.   

It is believed that Nandi breaths during Pradosham abhishekam. To prove the same the nostles are little different from the usual posture. Also it is believed that Moolavar also breaths during Poojas and breathing sounds was heard by the Devotees.

There is a lone Shiva Linga installed in the Prahara. It is believed that this is a jeeva Samadhi of siddha purusha who served in this temple. Devotees expressed good vibrations observed from the Jeeva Samadhi / adhistanam.

It is believed that Saniswararn also worshiped Lord Shiva of this Temple and he who gives the longer life. Hence people offers paryer to Saniswaran.

POOJAS AND CELEBRATIONS
Apart from regular oru kala pooja, special poojas are conducted on Pradosham, maha Shivaratri, Chithirai Maha nakshatra day when Lord Shiva gave darshan, Somavara Poojas.

TEMPLE TIMINGS
Since oruka pooja is conducted the temple will be kept opened between 08.00 hrs to 10.00 hrs.

CONTACT DETAILS
Mr Sundaramurthy, who posses a doctoral degree takes care of the temple. He may be contacted on his mobile +91 9629628900 and Venugopal +91 8825624566  for Further details. 

HOW TO REACH
Alagramam is about 4 KM from Mailam, 6.4 KM from Kooteripattu Road, 10.3 KM from Perumandur, 13.9 KM from Thiruvampatty, 14.6 KM from Tindivanam, 14.8 KM from Theevanur, 29 KM from Villupuram, 31 KM from Gingee, 52 KM from Pondicherry and 144 KM from Chennai.
Nearest Railway station is Tindivanam.

LOCATION OF THE TEMPLE  : CLICK HERE


Siddhar Jeeva Samadhi
 Veerabhadra
--- OM SHIVAYA NAMA ---