12th October 2019.
The practice of erecting a Hero stone / Sati stone
/ Navakanda stone has been widely followed in South India since the king's rule. This is
in remembrance of the hero who sacrificed himself for various reasons in front
of Kotravai / Kali. The country’s victory is said to be one of the reasons for
these Navakanda statues. It was said that Navakanda statues will be more in the
regions or the places where the wars happened, during the king's rule. This was
practiced till the 17th to 18th Century, as per the
historians. Some of the Hero stones have inscriptions too, which record the
details of the incident.
During our Kongu heritage happened to see a Navakanda
statue installed in the artha mandapam of the 6th to 7th
Century Sri Sukreeswarar Temple at Sarkar Periyapalayam near Tiruppur. The hero
is standing in the sama bangha posture, cutting his head with his right hand. He wears
ornaments on his neck and a half-dress below his waist. Looking at the
style of the tuft and big mustache, this Navakanda statue may belong to the 17th to 18th
Century Nayak period. Apart from Pulikuthi hero stones, Vijayamangalam, Thingalur, and Chennimalai of the Kongu region have the Navakanda statues. These Navakanda
statues are usually erected at the place where the Navakandam took place. This
Navakandam might have been practiced in the temple, or this may have been brought and installed from elsewhere.
At Avinashi, Avinashi Lingeswarar Temple, we happened to
see a bas-relief of Navakandam / Arikandam on a pillar of the 16th
to 18th-century Vijayanagara Nayaks period Dwajasthambam mandapa. The
hero is shown in three bangha postures with his head looking front, holding a sword in
his right hand, and holding his tuft in his left hand. Wearing a half dress below his waist.
It was said that this Navakanda bas-relief signifies that Navakandam was
practiced in this Shiva Temple also.
Sarkar Periyapalayam (left) --- Avinashi (Right)
---OM SHIVAYA NAMA---
---OM SHIVAYA NAMA---

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